A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and ... See full summary »
Rolf de Heer,
It's 1922; somewhere in Australia. When a Native Australian man is accused of murdering a white woman, three white men (The Fanatic, The Follower and The Veteran) are given the mission of ... See full summary »
In this sci-fi adventure a gorgeous alien woman is sent to Earth by mistake from the planet Epsilon. Landing in the Australian outback she meets a surveyor and they cross the continent ... See full summary »
Traces the pilgrimage of John Anderson, an average guy with a passion for jazz, from his home in outback Western Australia to the jazz clubs of Paris, to meet his idol, jazz trumpeter Billy... See full summary »
Blackfella Charlie is out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws now. So Charlie takes off, to ... See full summary »
A woman trapped in a twisted body from her bouts with the debilitating cerebral palsy communicates with the world via her computer with a voice box. Her caretaker is a short-tempered woman ... See full summary »
Bad Boy Bubby is just that: a bad boy. So bad, in fact, that his mother has kept him locked in their house for his entire thirty years, convincing him that the air outside is poisonous. After a visit from his estranged father, circumstances force Bubby into the waiting world, a place which is just as unusual to him as he is to the world. Written by
Murray Chapman <firstname.lastname@example.org>
This film changed my life. No, really. It was a Friday night, and the parents were away. I was on my own in front of the television, and Channel 4 (UK + Irish viewers will know of it) was showing Bad Boy Bubby as part of some cult film season. Well, to cut a long story short, I was glued to the screen for the duration of the film (I drooled and stared at it during the commercial breaks) and when it was over, I realised that the dinner was entirely burnt. Not a particularly relevant story, you may think, but note that the television was IN THE KITCHEN, mere feet from the oven. That's how good this film is. It features possibly the greatest crazy monologue ever committed to celluloid (the pub/microphone scene), two of the most disturbing murders in any movie I've seen (and I've seen thousands), one of the most unsettling relationships I've seen, and an unbelievable central performance. This film is darker than dark, and stranger than Eraserhead. Just as Bubby is on his own throughout the film, so is the viewer. Alone, confused and disturbed beyond words.
And I've never thought of the Salvation Army in the same way since.
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