An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Fraser's unrequited love for the beautiful and rich Ginny gets a chance to prove itself, when she is suddenly kidnapped. He teams up with rebel Mac, who's got a score to settle with the ... See full summary »
Arthur Allan Seidelman
A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he ... See full summary »
On Christmas Eve, a regretful husband admits to his high-spirited wife that he has hired a contract killer to take her out. She immediately flees. A nice couple offers her shelter, but everyone have dark secrets in this wacky movie.
A pre-fame Beatles head for the seedy clubs of Hamburg in search of success. The band meet up with a group of trendy German beatniks, one of whom (Astrid Kircherr) bass guitarist Stuart Sutcliffe falls in love with. Whilst best friend John Lennon can only watch, Sutcliffe has to choose between rock 'n roll and a new life in Germany... Written by
Some of the paintings Stu makes in the film are reproductions of actual paintings by Stuart Sutcliffe. See more »
In the opening credits montage, the policeman directing traffic has long hair covering his ears, far too long for 1960. See more »
Tell me something, John Lennon. When you are rich and famous, when you are number one, when your name is in lights and everybody wants to be your friend, when somebody asks you, "Do you remember Astrid in Hamburg?" what will you say?
I'll say she was the girl I always wanted. The girl of me dreams, like Brigitte Bardot with better manners. I might have fallen in love with her. But she fell in love with me best friend. And that was the end of that.
I love him, John.
Yeah. Don't we ...
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At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music." See more »
I won't attempt to cover the detail that so many others have simply to add. Sheryl plays Astrid very well, she implies the flavour of those early days of popular music very much in the raw. Not musically perfect or electronically sanitised but real thumping music for kids which they (and I was of that time albeit a little younger than the characters) loved. Remember there had been nothing like it before. Even Elvis's influence lacked the raw dark, smoky, sweaty feel of Hamburg, the Cavern Club and many venues that have disappeared from history. Astrid's art work through pictures captured the early feel of the Beatles and their lives/times like no other. When you look at those photos you can almost touch that slightly dangerous era.
The various films about the Beatles early years all contribute varying flavours of that time without individually capturing the whole and I would recommend Beatles/film buffs to look up and watch all versions.
Most of all the individuals.John was THE leader. Paul the workaholic perfectionist. George dedicated to improving his art while not taking any of it too seriously. Stuart doing his best for his friend John but inevitably his destiny (sadly abbreviated) was art. Pete was only transitional and Ringo who had already performed with them became an important factor. Tony Sheridan and others in Hamburg made important contributions and Brian Epstien was the final and very important cog.
Enjoy all of the films.
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