Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he ... See full summary »
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
In a future society where soft drinks are only for the rich and powerful, one man owns the last remaining cans of Coca-Cola. After the last can is consumed we beginning a mind melting ... See full summary »
Brent David Fraser,
A pre-fame Beatles head for the seedy clubs of Hamburg in search of success. The band meet up with a group of trendy German beatniks, one of whom (Astrid Kircherr) bass guitarist Stuart Sutcliffe falls in love with. Whilst best friend John Lennon can only watch, Sutcliffe has to choose between rock 'n roll and a new life in Germany... Written by
1990s punk-rock musicians and techniques were used to create the film's soundtrack, instead of the precise styles of the period, to better convey the way the music felt to the early Beatles audiences; "it was the punk of its day". See more »
A scene dated March 1961 has George being wished a happy 18th birthday. George's actual birthday was in February (as was even mentioned earlier in the film.) See more »
Tell me something, John Lennon. When you are rich and famous, when you are number one, when your name is in lights and everybody wants to be your friend, when somebody asks you, "Do you remember Astrid in Hamburg?" what will you say?
I'll say she was the girl I always wanted. The girl of me dreams, like Brigitte Bardot with better manners. I might have fallen in love with her. But she fell in love with me best friend. And that was the end of that.
I love him, John.
Yeah. Don't we ...
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At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music." See more »
The film is a marvel. The only evidence of post-fame Beatles nostalgia that doesn't seek to cash-out. It is no less than a kick-ass rock n' roll film, with deft photography, powerful direction and an incredibly hard garage soundtrack. Recommended for fans of garage raunch and pre-invasion british blues.
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