Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he ... See full summary »
Fraser's unrequited love for the beautiful and rich Ginny gets a chance to prove itself, when she is suddenly kidnapped. He teams up with rebel Mac, who's got a score to settle with the ... See full summary »
Arthur Allan Seidelman
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Cyril and Fiona are a long-married couple who travel to an unnamed tropical coastal town to follow their sexual fantasies. There they meet another couple, Catherine, Hugh and their three ... See full summary »
A pre-fame Beatles head for the seedy clubs of Hamburg in search of success. The band meet up with a group of trendy German beatniks, one of whom (Astrid Kircherr) bass guitarist Stuart Sutcliffe falls in love with. Whilst best friend John Lennon can only watch, Sutcliffe has to choose between rock 'n roll and a new life in Germany... Written by
Stephen Dorff was the only actor of the group who could actually play his instrument (he's a professional musician in real life). Ironically, his character, Stuart Sutcliffe, could not play his instrument, which is one of the chief reasons the real Paul McCartney later cited as to why he wanted Stuart out of the band. See more »
At the end of the film, text describing subsequent events is superimposed over shots of a beach. One paragraph notes that Klaus Voormann played bass on John Lennon's album "Imagine" and designed the Beatles' "Revolver" album cover, but although the former title is placed in quotation marks, the latter is not. See more »
Tell me something, John Lennon. When you are rich and famous, when you are number one, when your name is in lights and everybody wants to be your friend, when somebody asks you, "Do you remember Astrid in Hamburg?" what will you say?
I'll say she was the girl I always wanted. The girl of me dreams, like Brigitte Bardot with better manners. I might have fallen in love with her. But she fell in love with me best friend. And that was the end of that.
I love him, John.
Yeah. Don't we ...
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At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music." See more »
I grew up on the Beatles' music and was therefore delighted to see this captivating biopic about their early days in Hamburg, with Stuart Sutcliffe (bass) and Pete Best (drums) still onboard, in the days even before they fashioned their hair into mopheads and long before Lennon told his aristocratic audience to rattle their jewels. The plot focuses on Stuart Sutcliffe and his relationship with John Lennon. In a way, the movie shows us the Beatles as most of us do NOT know them -- the setting is neither London nor NYC (Liverpool plays a relatively minor role), they're not being chased by hordes of screaming teenagers, their drugs are still beer and tabs (and some amphetamines); most of all, they're still a rock 'n' roll band trying to break through.
That's actually one of the movie's biggest assets: it manages to convincingly show the group as a kickass rock band, although they're playing covers of US-American hits for the most part. The actors playing Lennon, Harrison and McCartney are surprisingly convincing.
Some fans have criticised the movie for being inaccurate, because, for example, John's later wife Cynthia is shown as a homely girl with a scarf, whereas she stated that she didn't like wearing scarfs. And I'd say it's true that Stephen Dorff's portrayal of Sutcliffe is too aggressive, histrionic, over the top (in scene, for example, he needlessly attacks the Klaus Voormann character in a way that would probably get him an extended stretch for attempted manslaughter in the real world). But as long as you keep in mind that this is not a documentary, the average non-stickler fan should be more than happy with this fare.
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