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Tony Chiu Wai Leung,
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"Farewell, My Concubine" is a movie with two parallel, intertwined stories. It is the story of two performers in the Beijing Opera, stage brothers, and the woman who comes between them. At the same time, it attempts to do no less than squeeze the entire political history of China in the twentieth century into a three-hour time-frame. Written by
Michael Kim <email@example.com>
In the streets on the eve of the Communist takeover (1948), Dieyi and Xiaolou watch the chaos unfold while seen between them in the background is Master Zhang the Eunuch. The next shot reveals Master Zhang sitting across the street from them. See more »
A masterpiece in every sense of the word, Chen Kaige's breath-stealing parable of China's multi-layered political revolution, is centred on two men. Chen presents us with an absorbing story of a 52 year-old relationship between two opera actors mounted upon an impossibly large canvas. But without sacrificing any intricate plot development or smudging over any delicate complexity in the relationship.
Considered by many to be one of the greatest epics of all time, this film rightly established Chen's reputation as one of the most brilliant narrative and artistic directors of our time, along with other such contemporary auteurs as Kieslowski, Bertolucci and Kurosawa.
You can not call yourself a film-buff if you haven't seen this movie. And film-students: you can witness the true art of filmmaking and story telling through the skilled hands of Chen Kaige's Farewell My Concubine.
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