Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
Tony Leung Chiu-Wai,
During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time... See full summary »
In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
A pregnant peasant woman seeks redress from the Chinese bureaucracy after the village chief kicks her husband in the groin in this comedy of justice. As she is frustrated by each level of ... See full summary »
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without ... See full summary »
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
"Farewell, My Concubine" is a movie with two parallel, intertwined stories. It is the story of two performers in the Beijing Opera, stage brothers, and the woman who comes between them. At the same time, it attempts to do no less than squeeze the entire political history of China in the twentieth century into a three-hour time-frame. Written by
Michael Kim <firstname.lastname@example.org>
When Douzi is first examined by the owner of the opera troupe, his extra finger is on his right hand below the thumb. When he withdraws the hand from the opera troupe owner, he pulls back his left arm. When his mother cuts the extra finger off a few moments later, it is now on his left hand, next to his pinkie. See more »
quote by tedg: "Opening scenes are seductions, promises. They transport one to the world of the story and establish who you as viewer can expect to be. Done right, they are an art to themselves. This film's opening is among the best I've seen, establishing the world of performance: politics as theater and love as both. It lets you know the perspective is centered on a stylized stage and concerns loss, sexually ambiguous brotherhood and betrayal. All in a couple minutes."
Well put. Also noteworthy is that at the end of the movie the opening scene is being mirrored (the two actors on stage being lit by a spot light), the film thus coming full circle. Quite ingenious.
What is good about the movie is that we (Westerners that is) learn a lot about recent Chinese history, which cannot be a bad thing considering the direction in which China is heading.
Oh, and Leslie Cheung's - may he rest in peace - performance is simply outstanding. But then, the acting is first rate all round.
This is one hell of a movie.
And, off topic, I have once again realised that the problem with sub-titled films is that one misses so much/too much of the actual acting, making it really necessary to view movies twice. Still, (a lot) better than viewing dubbed films though.
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