Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that ... See full summary »
A pregnant peasant woman seeks redress from the Chinese bureaucracy after the village chief kicks her husband in the groin in this comedy of justice. As she is frustrated by each level of ... See full summary »
In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
Kar Wai Wong
Tony Chiu Wai Leung,
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without ... See full summary »
During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time... See full summary »
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
"Farewell, My Concubine" is a movie with two parallel, intertwined stories. It is the story of two performers in the Beijing Opera, stage brothers, and the woman who comes between them. At the same time, it attempts to do no less than squeeze the entire political history of China in the twentieth century into a three-hour time-frame. Written by
Michael Kim <firstname.lastname@example.org>
The very first film from the People's Republic of China to win the Palme d'Or at the Cannes Film Festival. See more »
In the streets on the eve of the Communist takeover (1948), Dieyi and Xiaolou watch the chaos unfold while seen between them in the background is Master Zhang the Eunuch. The next shot reveals Master Zhang sitting across the street from them. See more »
As an WASP American married a lady from Mainland China, I have a great interest in and curiosity about China. My wife's mother and father actually saw these men perform. I have discussed this movie with many Chinese friends, most of whom saw it before coming to this country. Some of them knew the story from real life as well as the movie. They are quick to point out the accuracy of the story in its detailing of Chinese history from the end of the last dynasty until its end during the Cultural Revolution. They also claim that the major happenings in the movie are real events, not the norm for most of Hollywood's "real life" stories. One point of conjecture in the movie is the sexually of Dieyi. It is presumed he is/becomes a homosexual. However, from what I have learned about the Peking/BeiJing Opera through reading and discussions, it is more likely that Dieyi was virtually unaware of his own sexuality. As opposed to being a hetero or homosexual, he was asexual in a way like it had be surgically removed from his being. It had been taken from him through the rigors of his training and years of performance. His love for Xiaolou is powerful, maybe even surpassing ordinary man/woman love, but platonic in as much as his mind is devoid of its sexuality. He suffers the same jealous anger and sense of betrayal as might be found when a wife discovers the cheatings of her husband, and reacts, unfortunately, accordingly (Heroin). His real, enduring love is performing. It is the one constant that has seen him through. He throws himself into it, being willing to perform for anyone, even as it drives the story to the end. The end of the movie is not satisfying to everyone. It was not a Hollywood ending. However, it was reality.
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