| Johnny Depp | ... | Axel Blackmar | |
| Jerry Lewis | ... | Leo Sweetie | |
| Faye Dunaway | ... | Elaine Stalker | |
| Lili Taylor | ... | Grace Stalker | |
| Vincent Gallo | ... | Paul Leger | |
| Paulina Porizkova | ... | Millie | |
| Michael J. Pollard | ... | Fabian | |
| Candyce Mason | ... | Blanche | |
| Alexia Rane | ... | Angie | |
| Polly Noonan | ... | Betty | |
| Ann Schulman | ... | Carla | |
| James R. Wilson | ... | Lawyer | |
| Erik Polczwartek | ... | Man with Door | |
| Kim Keo | ... | Mechanical Doll | |
| Patricia O'Grady | ... | MC / Announcer | |
| James P. Morrison | ... | Boatman | |
| Vincent Tocktoo | ... | Eskimo Man | |
| Santos Romero | ... | Mariachi Band Member | |
| David Rodriquez | ... | Mariachi Band Member | |
| Juan Urrea | ... | Mariachi Band Member | |
| José Luis Ávila | ... | Mariachi Band Member | |
| Sergio Hlarmendaris | ... | Mariachi Band Member | |
| Frank Turley | ... | Mariachi Band Member | |
| Manuel Rodríguez | ... | Mariachi Band Member | |
| Cayetano Acosta | ... | Mariachi Band Member | |
| Manuel Ruiz | ... | Mariachi Band Member | |
| Narcisco Domínguez | ... | Mariachi Band Member | |
| Benjamin S. Gonzales | ... | Mariachi Band Member | |
| Serafino Flores | ... | Mariachi Band Member | |
| Miguel Moreno | ... | Mariachi Band Member | |
| Raphael Salcido | ... | Mariachi Band Member | |
| Chanaia Rodriguez | ... | Mariachi Band Member | |
| rest of cast listed alphabetically: | |||
| Jackson Douglas Fisher | ... | Priest (uncredited) | |
| Tricia Leigh Fisher | ... | Lindy (uncredited) | |
| Sal Jenco | ... | Man at Phone (uncredited) | |
| Emir Kusturica | ... | Man in Bar (uncredited) | |
Directed by | |||
| Emir Kusturica | |||
Writing credits | ||
| David Atkins | (story) & | |
| Emir Kusturica | (story) | |
| David Atkins | (screenplay) | |
Produced by | |||
| Richard Brick | .... | co-producer | |
| Paul R. Gurian | .... | executive producer | |
| Yves Marmion | .... | producer | |
| Claudie Ossard | .... | producer | |
Original Music by | |||
| Goran Bregovic | |||
Cinematography by | |||
| Vilko Filac | |||
Film Editing by | |||
| Andrija Zafranovic | |||
Casting by | |||
| Pennie DuPont | |||
Production Design by | |||
| Miljen Kreka Kljakovic | |||
Art Direction by | |||
| Jan Pascale | |||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Jill M. Ohanneson | |||
Makeup Department | |||
| Karoly Balazs | .... | makeup artist | |
| Deborah Ann Piper | .... | hair stylist | |
| Patty York | .... | makeup artist | |
Production Management | |||
| Charles Darby | .... | unit manager | |
| Buddy Enright | .... | unit manager: Alaska/Colorado | |
| Svetlana Novak | .... | post-production supervisor | |
| Jay Sedrish | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| K.C. Hodenfield | .... | second assistant director | |
| Sergio Mimica-Gezzan | .... | first assistant director | |
Art Department | |||
| Christy Addis | .... | set dresser | |
| Jeff Butcher | .... | property master: New York | |
| Tom Conway | .... | set dresser | |
| Louise Del Araujo | .... | lead | |
| Curtis Gutierrez | .... | set dresser | |
| Gary Kosko | .... | assistant art director | |
| Byron K. Lovelace | .... | set dresser | |
| Elaine O'Donnell | .... | set decorator: New York | |
| Erik Polczwartek | .... | on-set dresser | |
| Chris Santini | .... | construction foreman (uncredited) | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Gérard Hardy | .... | sound editor | |
| Jean-Pierre Lelong | .... | foley artist | |
| Fred Mays | .... | post-synchronization | |
| Corinne Rozenberg | .... | assistant sound editor | |
| Corinne Rozenberg | .... | sound editor | |
| Jim Stuebe | .... | sound mixer | |
Special Effects by | |||
| Johnny Borgese | .... | special effects | |
| Ken Estes | .... | special effects coordinator | |
| Greg Landerer | .... | special effects | |
| Ron Petruccione | .... | special effects | |
Visual Effects by | |||
| Max W. Anderson | .... | visual effects supervisor | |
| Max W. Anderson | .... | visual effects | |
| Martin Body | .... | rostrum cameraman | |
| Nicholas Brooks | .... | visual effects | |
| Pete Hanson | .... | studio manager: CFC | |
| Kent Houston | .... | visual effects supervisor | |
| John Swinnerton | .... | motion control cameraman | |
| Mark Nelmes | .... | digital visual effects supervisor (uncredited) | |
Stunts | |||
| Adam Brown | .... | safety diver | |
| Ron Petruccione | .... | stunts | |
| Peter Rocca | .... | stunt double: Johnny Depp | |
Camera and Electrical Department | |||
| Patric J. Abaravich | .... | lighting technician | |
| Mitchell Amundsen | .... | camera operator: Alaska and Colorado (as Mitch Amundson) | |
| John Armstrong | .... | generator operator | |
| Bob Becchio | .... | second assistant camera | |
| Nathalie Eno | .... | still photographer | |
| Suzanne Hanover | .... | still photographer | |
| Ric Urbauer | .... | crane grip | |
Casting Department | |||
| Debby Corper | .... | casting assistant | |
Editorial Department | |||
| Urszula Lesiak | .... | first assistant editor | |
| Yvan Lucas | .... | color timer | |
| Michael Philip | .... | first assistant editor | |
| Marypat Plottner | .... | synching editor | |
Music Department | |||
| Srdjan Kurpjel | .... | music arranger | |
Transportation Department | |||
| Chris Gallegos | .... | driver | |
| Brita McCollough | .... | driver | |
| Jim Petti | .... | transportation captain | |
| Marty Radcliff | .... | driver | |
Other crew | |||
| Al Cerullo | .... | helicopter pilot | |
| Debby Corper | .... | assistant to director | |
| Dawn Darfus | .... | production accountant: Arizona/New York | |
| Tad Driscoll | .... | production accountant | |
| Buddy Enright | .... | location manager: Alaska/Colorado | |
| Toya Hankins | .... | production assistant | |
| Lynn Harris | .... | script supervisor | |
| Chiemi Karasawa | .... | assistant to director | |
| Marie-Christine Malbert | .... | unit publicist | |
| Annie Saunders | .... | production coordinator | |
| Lenny Speregen | .... | marine coordinator | |
| Steven C. Ward | .... | assistant production coordinator | |
Thanks | |||
| Tomislav Novakovic | .... | special thanks | |
| Jonathan Weisgal | .... | special thanks | |
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| Inside Daisy Clover | Southland Tales | Single White Female | Brokeback Mountain | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Having seen this movie, I felt rather strange. This bubbly feeling in my gut kept me up in the night. I felt I had to do something for this film, confess my love in a letter, send it flowers, buy it Champagne. It left me gasping. I wanted more. So the rest of the night I watched the special features on the DVD.
I realise that it is sad to have emotions about a film that would usually be reserved for living beings, however I am completely unashamed. If this movie was a man, I'd do unspeakable things to it. I don't care what it's "about". I don't give a monkey's about any "plot" that it may or may not have. I have not searched for anything that everybody conditioned to Hollywood films, however good or bad they may be, inevitably searches for in a film. Why do you need to be spoonfed? Can you not just completely let go and enjoy a work of art for its mere beauty?
Sorry, journeying into pretentious land.
This is undoubtedly my absolute favourite Johnny Depp film, it used to be a toss up between Fear and Loathing in Las Vegas and Dead Man, but I admit that this surpasses them by a fraction. I'd actually like to say that I preferred Dead Man, but I, um, didn't. Sorry. I feel I have cheated on Dead Man.
There are certain scenes in Arizona Dream that show things about Johnny Depp as a performer that I never would have suspected. In this film he stepped into a realm shared by characters in the films of Fellini and Brunuel. It pleases me that he can do art house as fantastically as this and do mainstream as well, although I do not entirely approve of the stuff that is too mainstream (I.E. Pirates).
His character is beautifully complex, he is a kook, but a sexy kook, and he is everything else besides. The other performances are also wonderful. Gallo is a nutcase, Taylor needs therapy, Dunaway is at the same time tyrannical and naive. Sure the characters contradict themselves, but don't we? It just keeps it all the more desirable and fascinating.
For anybody who appreciates surrealist art, this is a must see. For anybody who appreciates Johnny Depp, there is no question that this film is absolutely essential.