Time Flies When You're Alive is a gripping one-man show. Paul Linke recounts, in no small detail the highs and lows of his marriage, specifically around his wife's losing struggle with ... See full summary »
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all ... See full summary »
A criminal defense attorney is seduced by a beautiful woman and reluctantly takes on the defense of her estranged husband who is charged with murder, but finds his career threatened because... See full summary »
This is the story of the first years of the AIDS epidemic in the United States and focuses on three key elements. Dr. Don Francis, an immunologist with experience in eradicating smallpox and containing the Ebola virus, joins the Centers for Disease Control (CDC) to try and understand just what this disease is. They also have deal with bureaucracy and a government that doesn't seem to care. The gay community in San Francisco is divided on the nature of the disease but also what should be done about it. Finally, the film deals with the rivalry between Dr. Robert Gallo, the American virologist who previously discovered the first retrovirus and his French counterpart at the Pasteur Institute, Dr. Luc Montagnier, that led to disputed claims about who was first to identify the AIDS virus. Written by
Produced despite heavy misgivings in the film industry. When film star Richard Gere accepted a small role, he broke the taboos - at grave risk to his career - about both the subject and major film stars taking small parts in TV productions. Subsequently Steve Martin, Alan Alda, Phil Collins and Anjelica Huston were willing to appear. See more »
The English subtitle translation of the French sequences contains errors. Most are minor, such as the English subtitles saying patients were afraid to come to a French hospital when the actual French said they were refusing to come, but in the first hospital scene, the doctor actually talks about "plaques" rather than "warts" as the subtitles indicated; plaques are the classic presentation of Kaposi's sarcoma. See more »
Well, you know, if the gay community doesn't start raising hell, do you think Reagan is going to do a damn thing?
I wish I had your courage.
Courage... no. I'm scared to death. I just have this self-determination to live. Don't you?
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"It may seem a little hopeless." ... "That's because it is."
American doctors from the under-funded Center for Disease Control scramble to figure out the origin of--and the causes behind--the alarming rate of homosexual male deaths in the early 1980s; as a fatal strain of pneumonia and hepatitis B cases begin appearing, as Reagan-era Washington apparently vetoes the mysterious disease as non-newsworthy, and as the gay community (shown as not one radically adept at helping their own cause) label the early cases as products of the Gay Cancer, the CDC battles with the Blood Industry in coming up with an inexpensive way of filtering out contaminated blood. Adaptation of Randy Shilts' frightening, groundbreaking book was seemingly an impossible undertaking, yet HBO Films and co-producer Aaron Spelling manage to lay all Shilts' information out adroitly and adeptly, with some of the character interaction awkwardly interjected but with most of the principal players doing very well with technical roles. Alan Alda positively revels in the opportunity to play sniveling medical scientist Dr. Robert Gallo, who felt usurped when French scientists initially gained prestige for isolating the virus; as Dr. Mary Guinan, Glenne Headly does some of the best work of her career (while interviewing a sexually promiscuous airline steward, one of the earliest men to fall prey to the disease, Headly is remarkably natural and charming); and Saul Rubinek as Dr. Curran, who initiates the investigation and helps sort out all the jargon, is in masterful form. Some of the high-profile cameos aren't shaped for much satisfaction--they stick out as artifices--such as Richard Gere's bit as a stricken choreographer (it is commendable that Gere is here, yet his movie star aura looms larger than his part). The film isn't compact--it isn't a quick-fix wallow or a time-filler--it is a serious, frustrating, angry movie with no easy answers. And that's as it should be.
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