When Andrew Sterling, a successful black urbanite writer buys a vacation home on a resort in New England the police mistake him for a burglar. After surrounding his home with armed men, ... See full summary »
A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
Lawrence and Freddie are con-men; big-time and small time respectively. They unsuccessfully attempt to work together only to find that this town (on the French Mediterranean coast) aint big... See full summary »
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
When Andrew Sterling, a successful black urbanite writer buys a vacation home on a resort in New England the police mistake him for a burglar. After surrounding his home with armed men, Chief Tolliver realizes his mistake and to avoid the bad publicity offers a thief in his jail, Amos Odell a deal. Amos is to pretend to take Andrew prisoner and hold him for ransom but let him go and escape. Amos and Andrew suddenly realize that the Chief's problems are all gone if the two of them both die in a gun battle. The worst partnership in film history then tries to get away from the local police. Written by
John Vogel <firstname.lastname@example.org>
The fictitious play that won Andrew the Pulitzer Prize is "Yo Brother, Where Art Thou?" With the subtraction of one letter, this is the title of one of Joel Coen and Ethan Coen's acclaimed films. See more »
Lenses in the Chief of Police's glasses during his interview after escaping from the house. See more »
One of the most underrated, overlooked comedies of the 1990s
One of the most underrated, overlooked comedies of the 1990s, and a social satire that DOES work, Maltin's faulty opinion to the contrary. Cage is brilliant, as is Bob Balaban. Writer/director E. Max Frye deserved much better reception for this sharp, smart piece of work. Unfortunately, the film's ending was apparently re-worked, to the satisfaction of almost no one on the creative team.
Coincidentally, the angry mob torch scene in this movie was shot practically the same time the 'Rodney King' riots unfolded 3000 miles away in LA.
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