When Andrew Sterling, a successful black urbanite writer buys a vacation home on a resort in New England the police mistake him for a burglar. After surrounding his home with armed men, ... See full summary »
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When Andrew Sterling, a successful black urbanite writer buys a vacation home on a resort in New England the police mistake him for a burglar. After surrounding his home with armed men, Chief Tolliver realizes his mistake and to avoid the bad publicity offers a thief in his jail, Amos Odell a deal. Amos is to pretend to take Andrew prisoner and hold him for ransom but let him go and escape. Amos and Andrew suddenly realize that the Chief's problems are all gone if the two of them both die in a gun battle. The worst partnership in film history then tries to get away from the local police. Written by
John Vogel <email@example.com>
The fictitious play that won Andrew the Pulitzer Prize is "Yo Brother, Where Art Thou?" With the subtraction of one letter, this is the title of one of Joel Coen and Ethan Coen's acclaimed films. See more »
Lenses in the Chief of Police's glasses during his interview after escaping from the house. See more »
Look. I'm not holding you hostage anymore, okay? But you got to know, we're in this together now, right? You and me. Amos and Andrew. Let's go.
Don't say that.
Our names... together.
Well, I'll spare you the history lesson. Besides, you wouldn't understand.
What do you mean, I wouldn't understand? You don't understand, man. We're gangsters. We're outlaws.
Gangsters? Outlaws? You're a nickel-and-dime criminal, a petty crook. And you to figure out very quickly where it is you think ...
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After the credits, there is a scene of Bloodhound Bob and all the dogs chasing each other. See more »
Clumsily written, the quasi-buddy comedy of mistaken identity stars Samuel L. Jackson as a racist writer on a posh Massachusetts island who is mistaken for being a burglar. After dodging a shower of police gunfire at his house everyone finds out that he is the person living there. Rather than face internal affairs, the cops let a car thief (Nicholas Cage) out of jail to go in the home with a shotgun and act as the `burglar'. (So the `break-in' looks fatal, for obvious reasons.)
Michael Lerner was hilarious as the hypocritical former lawyer of the Chicago 7. Giancarlo Esposito was realistic as the Louis Farrakhan-like fundamentalist. If the police weren't so unfunny (and other parts were written more cannily) it all would have been much better.
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