| Ross Partridge | ... | Keyes Terry | |
| Julia Nickson | ... | Suki (as Julia Nickson-Soul) | |
| Lala Sloatman | ... | Llanie (as Lala) | |
| David Naughton | ... | Dick Cutler | |
| Barbara Howard | ... | Janet Cutler | |
| Jack Orend | ... | Franklin Bronner (as Jack R. Orend) | |
| Richard Roundtree | ... | Pauli | |
| Terry O'Quinn | ... | Detective Clark | |
| Robert Rusler | ... | Ray | |
| Lin Shaye | ... | Nurse Turner | |
| Karl Johnson | ... | Cafe Owner | |
| Ralph Ahn | ... | Mr. Kim | |
| Tom Wright | ... | Morgue Attendant | |
| Bob Jennings | ... | Rookie Cop | |
| Jon Steuer | ... | Young Keyes | |
| Claudia Gold | ... | Keyes' Mother | |
| Robert Harvey | ... | Bronner (as Bob Harvey) | |
| Ken Bolognese | ... | Critic | |
| Abbe Rowlins | ... | Academic | |
| Joseph Schuster | ... | Young Man | |
| rest of cast listed alphabetically: | |||
| J.P. Stevens | ... | Teen | |
| Robert Hammond | ... | Ghoul (uncredited) | |
Directed by | |||
| John Murlowski | |||
Writing credits(WGA) | ||
| Christopher DeFaria | (written by) & | |
| Antonio Toro | (written by) | |
Produced by | |||
| Barry Bernardi | .... | executive producer | |
| Christopher DeFaria | .... | producer | |
| John G. Jones | .... | co-producer | |
| Steve White | .... | executive producer | |
Original Music by | |||
| Daniel Licht | |||
Cinematography by | |||
| Wally Pfister | (director of photography) | ||
Film Editing by | |||
| Rick Finney | |||
Casting by | |||
| Annette Benson | |||
| Harriet Greenspan | |||
Production Design by | |||
| Sherman Williams | |||
Art Direction by | |||
| Kurt Meisenbach | |||
Set Decoration by | |||
| Michael Stone | |||
Costume Design by | |||
| Yvette Correa | |||
Makeup Department | |||
| Ela Barczewska | .... | assistant hair stylist (as Elzbieta Barczewska) | |
| Ela Barczewska | .... | assistant makeup artist (as Elzbieta Barczewska) | |
| Michele Bloom | .... | key hair stylist | |
| Michele Bloom | .... | key makeup artist | |
Production Management | |||
| Michael Cain | .... | unit production manager | |
| Diane Cornell | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Joseph L. Cowperthwaite | .... | second assistant director | |
| Jennifer Marchese | .... | first assistant director | |
Art Department | |||
| Lisa A. Corbin | .... | on-set dresser | |
| Michael Kauffman | .... | property master | |
| Michael Morgenthal | .... | assistant props | |
| Robin Williams | .... | art department coordinator | |
| Jay Koiwai | .... | painter (uncredited) | |
| Stephen Reece | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Jeremy Hoenack | .... | sound editor | |
| Steve Jaszkowiak | .... | foley mixer | |
| Ingeborg Larson | .... | sound editor | |
| Russell McAbee | .... | boom operator | |
| David Parker | .... | sound re-recording mixer | |
| Michael Payne | .... | sound editor | |
| Melissa Peabody | .... | sound editor (as Melissa Peobody) | |
| Michael Semanick | .... | sound re-recording mixer | |
| Sabrina Stephenson | .... | sound editor | |
| Don Summer | .... | sound mixer | |
| Thomas White | .... | adr mixer | |
| Joseph Zappala | .... | sound designer | |
| Jeremy Hoenack | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Ed Martinez | .... | special effects makeup: Vision Technologies | |
| Bill Myers | .... | special effects technician | |
Visual Effects by | |||
| Allen Blaisdell | .... | visual effects camera operator | |
| Joshua Culp | .... | visual effects supervisor | |
Stunts | |||
| David Hugghins | .... | stunts (as David Huggins) | |
| Michael R. Long | .... | stunts (as Michael Long) | |
| Millie Novak | .... | stunts | |
| Gary Paul | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Henry Coccetti Jr. | .... | gaffer (as Henry Coccetti) | |
| Keith Jordan | .... | dolly grip | |
| Matt Mania | .... | key grip | |
| Vincent Mata | .... | additional assistant camera | |
| Michael Millikan | .... | assistant camera | |
| Michael A. Nerenberg | .... | second assistant camera (as Michael Nerenberg) | |
| Luke Palmer | .... | additional assistant camera | |
| Lee Schmicker | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Christina Klein | .... | wardrobe supervisor (as Christine Klein) | |
Editorial Department | |||
| Lawrence J. Gleason | .... | additional editing | |
| David Greenberg | .... | assistant editor | |
| Tony Mizgalski | .... | associate editor | |
Music Department | |||
| Linda Koci | .... | music administrator | |
Transportation Department | |||
| Brian N. Everett | .... | driver (as Brian Everett) | |
| David 'Bear' Ortiz | .... | driver (as David Ortiz) | |
| Walter Phillips | .... | driver | |
| Benjamin Rivera | .... | transportation captain (as Benny Rivera) | |
Other crew | |||
| Beth Anthony | .... | craft service | |
| Nicole Esposito | .... | office production assistant | |
| Emily Garcia | .... | office production assistant | |
| Victor Ho | .... | production coordinator | |
| Arthur Huh | .... | set production assistant | |
| Petra Jorgensen | .... | script supervisor | |
| Michael T. Lusk | .... | set production assistant (as Michael Lusk) | |
| Flint Maloney | .... | location manager | |
| Maria Markovic | .... | production secretary | |
| Sara Mata | .... | project coordinator | |
| Carlos Ramírez | .... | security (as Carlos Ramirez) | |
| Kimberly Weeks | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
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| like this movie? | Weasel699 |
| The Amityville Movies Forum | paul124 |
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| Amityville 1992: It's About Time | Amityville: Dollhouse | The Amityville Horror | Amityville II: The Possession | New Nightmare |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Ok, I admit, I have not seen the original yet; but in all this movie isn't all that bad. The idea of objects (like a clock in Amityville 6 (1992 it's about time) or a mirror in this tale (Amityville 7) carrying the original horrors are a bit hokey, but then again it makes sense. I liked this movie better than its time traveling predecessor and this one gives an interesting history if an Amityville family through the deranged father/psyco-killer handing the mirror and its inner demons to his son (who unknowingly accepts the gift and the re-opening of buried images/memories). Maybe it was because I was in New York and Amityville is in Long Island, but this film is at least average (hence a 5 or 6).