| Photos (see all 17 | slideshow) |
| Ethan Hawke | ... | Nando Parrado | |
| Vincent Spano | ... | Antonio Balbi | |
| Josh Hamilton | ... | Roberto Canessa | |
| Bruce Ramsay | ... | Carlitos Páez | |
| John Newton | ... | Antonio 'Tintín' Vizintín (as John Haymes Newton) | |
| David Kriegel | ... | Gustavo Zerbino | |
| Kevin Breznahan | ... | Roy Harley | |
| Sam Behrens | ... | Javier Methol | |
| Illeana Douglas | ... | Lilliana Methol | |
| Jack Noseworthy | ... | Bobby François | |
| Christian J. Meoli | ... | Federico Aranda | |
| Jake Carpenter | ... | Alberto Artuna | |
| Michael DeLorenzo | ... | Rafael Cano (as Michael De Lorenzo) | |
| José Zúñiga | ... | Fraga, the Mechanic | |
| Danny Nucci | ... | Hugo Díaz | |
| David Cubitt | ... | Fito Strauch | |
| Gian DiDonna | ... | Eduardo Strauch (as Gian Di Donna) | |
| John Cassini | ... | Daniel Fernández | |
| Michael Woolson | ... | Juan Martino | |
| Chad Willett | ... | Pablo Montero | |
| Richard Ian Cox | ... | Moncho Sabella | |
| Gordon Currie | ... | Coche Inciarte | |
| Ele Keats | ... | Susana Parrado | |
| Josh Lucas | ... | Felipe Restano (as Joshua Lucas) | |
| Silvio Pollio | ... | Álex Morales | |
| Nuno Antunes | ... | Álvaro Mangino | |
| Michael Tayles | ... | Pancho Delgado | |
| Steven Shayler | ... | Pedro Algorta | |
| Jason Gaffney | ... | Víctor Bolarich | |
| Jerry Wasserman | ... | Co-Pilot | |
| Michael Sicoly | ... | Pilot Julio César Ferradas | |
| Diana Barrington | ... | Mrs. Alfonsín | |
| Jan D'Arcy | ... | Eugenia Parrado | |
| Frank Pellegrino | ... | Steward | |
| Seth Arnett | ... | Tomás Alonso (as Seth James Arnett) | |
| Aurelio Dinunzio | ... | Dr. Solana | |
| Fiona Roeske | ... | Mrs. Solana | |
| Tony Morelli | ... | Martínez, the Navigator | |
| Pat Romano | ... | Jorge Armas | |
| rest of cast listed alphabetically: | |||
| John Malkovich | ... | Old Carlitos / Narrator (uncredited) | |
Directed by | |||
| Frank Marshall | |||
Writing credits(WGA) | ||
| Piers Paul Read | (book) | |
| John Patrick Shanley | (screenplay) | |
Produced by | |||
| Bruce Cohen | .... | co-producer | |
| Kathleen Kennedy | .... | producer | |
| Robert Watts | .... | producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Peter James | |||
Film Editing by | |||
| William Goldenberg | |||
| Michael Kahn | |||
Casting by | |||
| Valorie Massalas | |||
Production Design by | |||
| Norman Reynolds | |||
Art Direction by | |||
| Fred Hole | (as Frederick Hole) | ||
Set Decoration by | |||
| Tedd Kuchera | |||
Costume Design by | |||
| Jennifer L. Parsons | |||
Makeup Department | |||
| Lorna Barria | .... | special makeup effects artist | |
| Donna Bis | .... | hair department head | |
| Russell Cate | .... | special makeup effects artist | |
| Nick Dudman | .... | makeup artist: John Malkovitch | |
| Linda Gill | .... | makeup artist | |
| Raymond Mackintosh | .... | special makeup effects artist | |
| Robert A. Pandini | .... | hair stylist | |
| Gordon J. Smith | .... | special makeup effects designer | |
Art Department | |||
| Chris Claridge | .... | construction foreman | |
| Adrian Dowell | .... | scenic carpenter | |
| Dean Eilertson | .... | assistant property master | |
| R.D. 'Luther' Fairbairn | .... | assistant property master | |
| John Hamilton | .... | lead painter | |
| Mark Howes | .... | scenic carpenter | |
| Charles Leitrants | .... | construction coordinator | |
| David Lowery | .... | storyboard artist | |
| Dale Menzies | .... | carpenter | |
| Bill Thumm | .... | property master (as Bill Thumm) | |
Sound Department | |||
| Willy Allen | .... | foley artist | |
| James Ashwill | .... | foley mixer | |
| Christopher Assells | .... | sound effects editor | |
| Eric Batut | .... | sound mixer | |
| Gregg Baxter | .... | supervising sound editor | |
| Tony Currie | .... | dialogue editor | |
| Richard Dwan Jr. | .... | adr editor | |
| Richard Dwan Jr. | .... | dialogue editor | |
| Scott Martin Gershin | .... | supervising sound designer | |
| Chris Glyn-Jones | .... | boom operator | |
| Victor Iorillo | .... | foley artist | |
| Rick Kline | .... | sound re-recording mixer | |
| Mark Lanza | .... | sound effects editor | |
| Glenn T. Morgan | .... | dialogue editor | |
| Dan O'Connell | .... | foley artist | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Matt Patterson | .... | sound recordist | |
| Frank Smathers | .... | sound effects editor | |
| Wylie Stateman | .... | sound editor | |
| Peter Michael Sullivan | .... | foley artist | |
| Bill Voigtlander | .... | adr editor | |
| Marshall Winn | .... | foley artist | |
| George Tarrant | .... | sound mixer: second unit (uncredited) | |
Special Effects by | |||
| Brian Q. Kelley | .... | effects editorial | |
| Michael Lantieri | .... | special effects consultant | |
| Lars Lenander | .... | chief mechanical designer | |
| Jules Mann | .... | assistant model maker | |
| Reg Milne | .... | special effects assistant | |
| Randy Shymkiw | .... | special effects unit coordinator | |
| Terry Sonderhoff | .... | special effects technician | |
| John Thomas | .... | special effects coordinator | |
| Dan Cervin | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Joel Aron | .... | lead technical assistant | |
| Jil-Sheree Bergin | .... | visual effects producer | |
| Scott Farrar | .... | special visual effects supervisor | |
| Bill George | .... | visual effects art director | |
| Michael Gleason | .... | visual effects editor | |
| John Goodson | .... | model maker | |
| Jennifer Lee | .... | optical line-up: ILM | |
| Richard Miller | .... | model maker | |
| Jim Morris | .... | general manager: ILM | |
| Vance Piper | .... | effects camera assistant | |
| William Powloski | .... | visual effects | |
| Stuart Robertson | .... | digital effects supervisor: ILM | |
| Leah Anton | .... | digital artist (uncredited) | |
| Wendy Bonn | .... | visual effects apprentice (uncredited) | |
| Scott Ross | .... | general manager: ILM (uncredited) | |
Stunts | |||
| Charles Andre | .... | stunts | |
| Jim Dunn | .... | stunt double: John Newton | |
| Jim Dunn | .... | stunts | |
| Gary Hymes | .... | stunt coordinator | |
| David Jacox | .... | stunts (as David Jacox Jr.) | |
| Kirk Jarrett | .... | stunts (as James Kirk Jarrett) | |
| Connie Kennedy | .... | stunts | |
| J.J. Makaro | .... | stunt coordinator: Canada | |
| Mike Mitchell | .... | stunts | |
| Fred Perron | .... | stunts | |
| Tom Raudaschl | .... | stunts | |
| Jacob Rupp | .... | stunts | |
| Brian Smrz | .... | stunts | |
| Dawn Stofer-Rupp | .... | stunts | |
| Melissa R. Stubbs | .... | stunts | |
| Marc Whalen | .... | stunts | |
| Brent Woolsey | .... | stunts | |
Camera and Electrical Department | |||
| Dan Bennett | .... | best boy grip | |
| Marco Ciccone | .... | second assistant camera | |
| Douglas Craik | .... | first assistant camera | |
| David Crone | .... | Steadicam operator (as Dave Crone) | |
| David Crone | .... | camera operator (as Dave Crone) | |
| Andre Fleuren | .... | photography: second unit | |
| Glen Forrieter | .... | dolly grip | |
| Bobby Huber | .... | key grip | |
| Gaetan Jalbert | .... | gaffer: treck unit | |
| John Le Roy | .... | key rigging grip | |
| Marty McInally | .... | first assistant camera: second unit | |
| Carey Toner | .... | grip | |
| Roger Vernon | .... | camera operator | |
| Steve Wright | .... | helicopter pilot: camera helicopter (as Steven J. Wright) | |
Costume and Wardrobe Department | |||
| Michelle Baines | .... | costume set supervisor | |
| Barbara Marko Friedman | .... | costumer | |
Editorial Department | |||
| Carlyn Montes De Oca | .... | first assistant film editor | |
| Phil Downey | .... | color timer | |
| Caroline Hardon | .... | assistant editor: Canada | |
| Mark L. Levine | .... | assistant editor | |
| William Shaffer | .... | assistant editor | |
Music Department | |||
| Chris Boardman | .... | orchestrator | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor | |
| James Newton Howard | .... | orchestrator | |
| Michael Mason | .... | score co-producer | |
| Mark McKenzie | .... | orchestrator | |
| David Olson | .... | music editor | |
| Marty Paich | .... | conductor | |
| Steven L. Smith | .... | music preparation | |
| Jim Weidman | .... | music editor | |
Other crew | |||
| Chris Atkinson | .... | mountain safety crew | |
| Paul Berstein | .... | mountain safety crew (as Paul Berntson) | |
| Beth Cahn | .... | assistant to producer | |
| Gina D'Orazio | .... | assistant: Frank Marshall | |
| Scott Flavelle | .... | mountain safety crew | |
| Gretchen Goode | .... | production coordinator | |
| Leesa Green | .... | craft service | |
| George Grieve | .... | aviation coordinator | |
| Daniel Griffith | .... | mountain safety crew | |
| Dow Griffith | .... | location manager | |
| Hector McKenzie | .... | mountain safety crew (as Hector MacKenzie) | |
| Robin Mounsey | .... | helicopter coordinator | |
| Robin Mounsey | .... | mountain safety coordinator | |
| Lee Anne Muldoon | .... | unit publicist | |
| Nando Parrado | .... | technical advisor | |
| Dan Perri | .... | title designer: main titles | |
| Allen E. Taylor | .... | production accountant | |
| Steve Wright | .... | helicopter coordinator (as Steven J. Wright) | |
|
|
|
|
|
| Europa Europa | World Trade Center | Map of the Human Heart | Poseidon | Walkabout |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
Frank Marshall's "Alive" is one of the most beautiful films I have ever seen, a tale of great courage and human ingenuity.
Although the story was filmed previously (and cheaply) by Rene Cardona as "Survive", this retelling is superior in every department and resonates with me years after I first saw it at the cinema.
James Newton Howard's score is truly beautiful and incredibly powerful for its ability to convey both the hopelessness of the situation (trying to survive in the Andes) and the awesome wonder of such a savage land. In fact, the score takes the film from very good to great.
The rendering of Schubert's "Ave Maria" over the rousing climax, with its superbly lensed images by Peter Levy, is one of cinema's most emotional, transporting moments.
Stunning!