Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
The amazing, true story of a Uruguayan rugby team's plane that crashed in the middle of the Andes mountains, and their immense will to survive and pull through alive, forced to do anything and everything they could to stay alive on meager rations and through the freezing cold. The only thing the team has riding on after losing so many of their good friends and family members is the slim chance of making it through alive and their faithfulness to God. Written by
The crash sequence took nine days to film. As the set was mounted on a huge gimbel, most of the cast were taking motion sickness pills as they spent a large amount of time being tossed about. See more »
The real life counterpart of Federico Aranda (Rafael Echavarren) died on the 37th day.
In the movie, he is seen alive until the 50th day. See more »
Between these mountains somewhere there's a green valley. See those mountains over there? There's no snow on them.
Those mountains must be fifty miles away. You think you can walk fifty miles?
If we have to, we will.
Yes you can.
I can't. I'm not as strong as you.
Do you know what it is that we've lived this long the way we have? Seventy days? It's impossible. It's impossible and we did it. I'm proud to be a man on a day like this. Alive. That I lived to see it, and see it in such a ...
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Truly stunning tale of courage and human ingenuity
Frank Marshall's "Alive" is one of the most beautiful films I have ever seen, a tale of great courage and human ingenuity.
Although the story was filmed previously (and cheaply) by Rene Cardona as "Survive", this retelling is superior in every department and resonates with me years after I first saw it at the cinema.
James Newton Howard's score is truly beautiful and incredibly powerful for its ability to convey both the hopelessness of the situation (trying to survive in the Andes) and the awesome wonder of such a savage land. In fact, the score takes the film from very good to great.
The rendering of Schubert's "Ave Maria" over the rousing climax, with its superbly lensed images by Peter Levy, is one of cinema's most emotional, transporting moments.
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