Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
The amazing, true story of a Uruguayan rugby team's plane that crashed in the middle of the Andes mountains, and their immense will to survive and pull through alive, forced to do anything and everything they could to stay alive on meager rations and through the freezing cold. The only thing the team has riding on after losing so many of their good friends and family members is the slim chance of making it through alive and their faithfulness to God. Written by
the coach of the team. He can be seen in photo still of the group at the beginning of the film See more »
At two different points, a safety cable can be seen attached to 3 of the actors. Once (at around 1 min) during one of the first expeditions to find the tail of the airplane there are 5 walking. The glacier collapses under the feet of the lead boy, leaving him dangling off the edge of a crevasse. The cable pulls up from the snow just under the actor as Canessa and the others pull him back up. The second time (at around 1h 45 mins) is when Canessa slides off a rock, just as they are reaching the top of the mountain. Nando attaches a safety belt from the Fairchild to his belt and Tin Tin braces himself to lower Nando to Canessa. The thin cable that is hooked to the actor who plays Canessa is partially buried in the snow and pulls up breaking the snow for an instant. You can also see this cable threaded through Nando's left leg of his pants. As the scenes shift, Tintin is sitting on it, and it's also snaked on Nando's left side against the mountain. See more »
[the plane is over the Andes]
Oh, mama, look at the mountains! They're beautiful!
Don't make me look at the mountains, Susana. The mountains look like big teeth.
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Truly stunning tale of courage and human ingenuity
Frank Marshall's "Alive" is one of the most beautiful films I have ever seen, a tale of great courage and human ingenuity.
Although the story was filmed previously (and cheaply) by Rene Cardona as "Survive", this retelling is superior in every department and resonates with me years after I first saw it at the cinema.
James Newton Howard's score is truly beautiful and incredibly powerful for its ability to convey both the hopelessness of the situation (trying to survive in the Andes) and the awesome wonder of such a savage land. In fact, the score takes the film from very good to great.
The rendering of Schubert's "Ave Maria" over the rousing climax, with its superbly lensed images by Peter Levy, is one of cinema's most emotional, transporting moments.
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