Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Taylor and Harold are good friends and avid climbers. While climbing one day, they meet a man who it seems might be attempting to climb K2, the world's second-highest peak. Always pushy, ... See full summary »
Alcatraz is the most secure prison of its time. It is believed that no one can ever escape from it, until three daring men make a possible successful attempt at escaping from the most infamous prisons in the world.
In 1972, the Uruguayan rugby team is flying to Chile to play a game. However, the plane from the Uruguayan Air Force with 45 persons crashes on the Andes Mountains and after the search party, they are considered dead. Two months after the crash, the sixteen survivors are finally rescued. Along the days, the starved survivors decide to eat flesh from the bodies of their comrades to survive. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The crash sequence took nine days to film. As the set was mounted on a huge gimbal, most of the cast were taking motion sickness pills as they spent a large amount of time being tossed about. See more »
After the plane tail is gone, there are reflections of a studio light in a boy's glasses who sits in the last row. The sky is overcast so it couldn't be sunlight. See more »
Truly stunning tale of courage and human ingenuity
Frank Marshall's "Alive" is one of the most beautiful films I have ever seen, a tale of great courage and human ingenuity.
Although the story was filmed previously (and cheaply) by Rene Cardona as "Survive", this retelling is superior in every department and resonates with me years after I first saw it at the cinema.
James Newton Howard's score is truly beautiful and incredibly powerful for its ability to convey both the hopelessness of the situation (trying to survive in the Andes) and the awesome wonder of such a savage land. In fact, the score takes the film from very good to great.
The rendering of Schubert's "Ave Maria" over the rousing climax, with its superbly lensed images by Peter Levy, is one of cinema's most emotional, transporting moments.
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