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Directed by | |||
| Martin Scorsese | |||
Writing credits(WGA) | ||
| Edith Wharton | (novel "The Age of Innocence") | |
| Jay Cocks | (screenplay) & | |
| Martin Scorsese | (screenplay) | |
Produced by | |||
| Barbara De Fina | .... | producer | |
| Bruce S. Pustin | .... | co-producer | |
| Joseph P. Reidy | .... | associate producer (as Joseph Reidy) | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Michael Ballhaus | (director of photography) | ||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Speed Hopkins | |||
Set Decoration by | |||
| Robert J. Franco | |||
| Amy Marshall | |||
Costume Design by | |||
| Gabriella Pescucci | |||
Makeup Department | |||
| Alan D'Angerio | .... | hair designer (as Alan Dangerio) | |
| Michael Kriston | .... | hair stylist | |
| Peter Owen | .... | wigs | |
| Manlio Rocchetti | .... | special makeup effects artist | |
| Antonio Sodda | .... | hair consultant | |
| Ronnie Specter | .... | makeup artist: Ms. Pfeiffer | |
| Allen Weisinger | .... | makeup artist | |
| Antoine Garabedian | .... | head makeup artist: Paris (uncredited) | |
| Craig Lyman | .... | additional makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joe Burns | .... | second assistant director (as Joseph Burns) | |
| Susan E. Fiore | .... | second second assistant director (as Susan Fiore) | |
| Vincent Lascoumes | .... | second assistant director: Paris | |
| Joseph P. Reidy | .... | first assistant director (as Joseph Reidy) | |
| Mary Rae Thewlis | .... | dga trainee | |
| Jean-Philippe Blime | .... | second assistant director: Paris (uncredited) | |
Art Department | |||
| Joanne Belonsky | .... | art department assistant (as Joanne Belansky) | |
| Dan Davis | .... | assistant art director | |
| Michele Giordano | .... | art department coordinator | |
| Vincent Guarriello | .... | construction grip | |
| Jean-Michel Hugon | .... | art director: Paris | |
| Tamara Malkin-Stuart | .... | art department assistant | |
| James Mazzola | .... | property master | |
| Jeff Mazzola | .... | assistant property master | |
| Robert Perdziola | .... | assistant art director | |
| Ron Petagna | .... | construction coordinator (as Ronald Petagna) | |
| James Sorice | .... | chargeman scenic artist | |
| Carl Sprague | .... | assistant art director (as Carl J. Sprague) | |
| Dave Weinman | .... | key set dresser | |
| Anthony Baldasare | .... | set dresser (uncredited) | |
| Rick Butler | .... | assistant art director (uncredited) | |
| Lauren Doner | .... | scenic artist (uncredited) | |
| Anton Evangelista | .... | assist. to Mr. Ferretti (uncredited) | |
| Vinny Mazzarella | .... | props (uncredited) | |
| Christopher Nelson | .... | set dresser (uncredited) | |
| Elaine O'Donnell | .... | assistant set decorator (uncredited) | |
| Danny Rovira | .... | carpenter (uncredited) | |
| Philippe Turlure | .... | set decorator: Paris (uncredited) | |
| Alyssa Winter | .... | assistant set decorator (uncredited) | |
| Joan Winters | .... | graphic designer (uncredited) | |
Sound Department | |||
| Gina Alfano | .... | assistant sound editor (as Gina R. Alfano) | |
| Laura Civiello | .... | dialogue editor | |
| Chris Fielder | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Eugene Gearty | .... | sound effects editor | |
| Frank Kern | .... | foley editor | |
| Hal Levinsohn | .... | adr editor | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | dialogue editor | |
| Tod A. Maitland | .... | production sound mixer (as Tod Maitland) | |
| Sylvia Menno | .... | assistant sound editor | |
| T.J. O'Mara | .... | boom operator (as J.T. O'Mara) | |
| Bruce Pross | .... | foley supervisor | |
| Philip Stockton | .... | dialogue supervisor | |
| Steven Visscher | .... | foley editor (as Steve Visscher) | |
| Marko A. Costanzo | .... | foley artist (uncredited) | |
| Joel Holland | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Mike Maggi | .... | special effects operator | |
| John Ottesen | .... | special effects coordinator | |
| Ron Ottesen | .... | special effects operator (as Ronnie Ottesen) | |
Visual Effects by | |||
| Syd Dutton | .... | special visual effects: Illusion Arts Inc. | |
| Lynn Ledgerwood | .... | mechanical effects: Illusion Arts Inc. (as Lynn Ledgewood) | |
| Mark Sawicki | .... | matte photographer: Illusion Arts Inc. | |
| Robert Stromberg | .... | matte artist: Illusion Arts Inc. | |
| Catherine Sudolcan | .... | production manager: Illusion Arts Inc. | |
| John E. Sullivan | .... | matte photographer: Illusion Arts Inc. (as John Sullivan) | |
| Bill Taylor | .... | special visual effects: Illusion Arts Inc. | |
| David S. Williams Jr. | .... | optical photographer: Illusion Arts Inc. | |
Casting Department | |||
| Fleet Emerson | .... | extras casting associate | |
| Sylvia Fay | .... | extras casting | |
| Julie Madison | .... | casting associate (as Julie A. Madison) | |
| Deborah Rudy | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Michael Adkins | .... | wardrobe attendant: men | |
| Cheryl Kilbourne-Kimpton | .... | wardrobe attendant: women (as Cheryl Kilbourne-Klimpton) | |
| George Potts | .... | assistant costume designer | |
| Hartsell Taylor | .... | wardrobe supervisor | |
| Deirdre N. Williams | .... | wardrobe supervisor (as Deirdre Nicola Williams) | |
| Giovanni Casalnuovo | .... | assistant costume designer (uncredited) | |
| Patrick Chevillot | .... | assistant costume designer (uncredited) | |
| Thom Heyer | .... | assistant costume designer (uncredited) | |
| Janice Irwin | .... | costume production assistant (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Barbara Matera | .... | costume executor (uncredited) | |
| Roseann Milano | .... | wardrobe (uncredited) | |
| Alina Panova | .... | assistant costume designer (uncredited) | |
| Carlo Poggioli | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Yasmine Amitai | .... | apprentice film editor | |
| Mark Ginsberg | .... | color timer | |
| Joel Hirsch | .... | second assistant film editor (as Joel R. Hirsch) | |
| Alisa Lepselter | .... | first assistant film editor | |
Music Department | |||
| Emilie A. Bernstein | .... | orchestrator (as Emilie Bernstein) | |
| Suki Buchman | .... | music editor | |
| Steven Danenberg | .... | orchestra contractor | |
| David Montgomery | .... | consultant: nineteenth century music | |
| Suzana Peric | .... | music editor | |
| Nic Ratner | .... | assistant music editor | |
| John Moses | .... | musician: clarinetist (uncredited) | |
Transportation Department | |||
| Richard Holston | .... | transportation co-captain | |
| Michael Hyde | .... | transportation captain | |
| Richard Curry | .... | driver: Ms. Pfeiffer (uncredited) | |
Other crew | |||
| Sandrine Ageorges | .... | unit location manager: Paris | |
| Elizabeth Aldrich | .... | dance consultant | |
| Elaine Bass | .... | title designer | |
| Saul Bass | .... | title designer | |
| Margaret Bodde | .... | assistant: Mr. Scorsese | |
| Christine Bodelot | .... | unit production accountant: Paris | |
| Len Brooks | .... | animal wrangler | |
| Joanny Carpentier | .... | production coordinator: Paris | |
| Kay Chapin | .... | script supervisor (as Kathryn M. Chapin) | |
| Alesandra M. Cuomo | .... | production coordinator | |
| John DeSimone | .... | production assistant (as John De Simone) | |
| Patricia Anne Doherty | .... | location manager | |
| Rick Ellis | .... | chef: nineteenth century meals | |
| Amy Henkels | .... | assistant: Ms. De Fina | |
| Julie Herrin | .... | production assistant | |
| Joseph E. Iberti | .... | location associate: New York | |
| Katherine Kennedy | .... | production secretary (as Katherine A. Kennedy) | |
| Louise Lamanna | .... | assistant: Ms. Pescucci | |
| Lily Lodge | .... | consultant: etiquette | |
| Amy Lynn | .... | assistant: Ms. Pfeiffer | |
| David McFadden | .... | consultant: table decoration | |
| Tim Monich | .... | dialect coach | |
| Michael Nickodem | .... | location associate: Philadelphia | |
| Heather Norton | .... | assistant: Mr. Scorsese | |
| Wendy Sax | .... | assistant: Ms. De Fina | |
| Robin Standefer | .... | video research consultant | |
| Michael Stricks | .... | location associate: New York | |
| Chris Sullivan | .... | animal wrangler | |
| Sara Thorson | .... | production assistant (as Sara A. Thorson) | |
| Melissa Unger | .... | assistant: Mr. Day-Lewis | |
| Matilde Valera | .... | production accountant (as Matilde P. Valera) | |
| Mark Van Holstein | .... | location associate: Troy (as Mark Von Holstein) | |
| David H. Venghaus Jr. | .... | production assistant (as David Venghaus) | |
| Michael X. Zelenak | .... | script editor | |
| Julie Belthoise | .... | assistant location manager (uncredited) | |
| Nicolas Foulatier | .... | location manager trainee: Paris (uncredited) | |
| Jay Horne | .... | location assistant (uncredited) | |
| Olivier Servanin | .... | assistant location manager: Paris (uncredited) | |
| Randy Sokol | .... | location assistant (uncredited) | |
Thanks | |||
| Letitia Baldrige | .... | special thanks (as Ms. Letitia Baldridge) | |
| Charles Scorsese | .... | dedicatee (as Luciano Charles Scorsese) | |
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| Full cast and crew | Company credits | External reviews |
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In the 70's, the decade's greatest director Stanley Kubrick broke from his series of groundbreaking films to make a long period piece. That movie, "Barry Lyndon", was met with much critical acclaim, but also a litany of derision from fans and critics alike who called it too slow, too ponderous and too boring. Nearly 20 years later, the world's leading director of that time, Martin Scorcese took the same steps and met with much of the same criticism.
These two movies are not for everyone. If you want to see action and fast-paced filmmaking, you will find them boring. However, if you want to see the pinnacles of the careers of the two greatest directors of the second half of the 20th century, you will find them here.
Enough has been said about the plot and the acting in "The Age of Innocence". The bottom line is that for pure cinematic luster and beauty, the 90's offers only a single movie that can match "Barry Lyndon". Don't watch the clock, watch the film, and enjoy a departure and a triumph that proves the depth and confidence of Scorcese's skills.
Lastly, don't let anyone spoil the ending for you, and don't jump to conclusions. Think about it after you've seen the movie, savour it for a while and the understanding will come to you. This movie quite simply has the finest ending of any movie I have ever seen.
"The Age of Innocence" is the 10 that rises just above Scorcese's string of 9 1/2s. See it.