When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <email@example.com>
The interior of Mrs. Mingott's house was filmed at Rensselaer Polytechnic Institute's Pi Kappa Phi fraternity house in downtown Troy, NY, home to about 35 men at the time. Setup and filming took approximately three weeks and was done while school was still in session. The first floor was the only one used for filming and during shoots members of the house had to remain silent upstairs or leave the house. The shot of the house as a solitary structure on a small hill is movie magic, as the house is surrounded on both sides by other buildings. See more »
During the baptism of Newland's and May's child, the family priest blesses the child with "the Father, Son, and the Holy Spirit" instead of "the Father, Son and the Holy Ghost". The usage of this phrase only came about after the revision of the Episcopalian prayer book in the 1920s. See more »
[about his fiancée]
I'll be back on the first, and our wedding's not till the fifth.
I'm surprised you even remembered the date.
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The Columbia logo turns sepia to look like a 19th-century photograph. See more »
The greatest movie adaptations are usually made from novels of the second or third rank, the adaptations of the greatest novels-The Brothers Karamazov, War and Peace, Ullysses, are not very good, while Dodsworth,and The Magnificent Ambersons are ranked among the classics. This is yet another example.Scorsese surpasses his material to make a beautiful, bravura nmasterpiece. This is an expressionist film, in which we enter the soul of Newland Archer, all too proper gentleman and would bre free spirit, as he is torn between the allure of seeming non-conformity-the Countess Olenska, and the demand s of tradition and duty-May Welland.People who think its an atypical Scorsese film have never-and i repeat , NEVER paid careful attention to his films, or have only wateched them for the violence and the f-words.Scorsese has always been a tormented moralist, obsessed with loyalty, honor and tradition. This anmazingly rich, often witty film, grows on you with each repeat viewing
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