When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <email@example.com>
In 1993, when the movie was first released, a publicity still of Michelle Pfeiffer and Daniel Day-Lewis in an embrace had been printed in US Magazine. Pfeiffer was holding a roll of Certs breath mints and it had not been edited out of the photo. It was too late to correct the photo so the issue was sent to news stands with the erroneous photo in them. See more »
On the park bench in Boston, Newland Archer sits down with Ellen Olenska. As he sits, his gloves are off, and we see his wedding ring. The camera cuts away and then back, and his gloves are on. He then removes them. See more »
Honest? Isn't that why you always admire Julius Beaufort? He was more honest than the rest of us, wasn't he, we've got no character, no color, no variety. I wonder why you just don't go back to Europe.
I believe that's because of you.
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The Columbia logo turns sepia to look like a 19th-century photograph. See more »
I saw "The Aviator" a couple of days ago and while I still have Howard Hughes flying through my brain I felt the need to see again another Scorsese. I have all of his films in my collection. I closed my eyes and picked one, just like that, at random. "The Age Of Innocence" This is what happens with great artists, you can always re visit them and you'll come out of the experience with something new, something valuable. Transported by the sublime voice of Joanne Woodward I took the trip again to discover that everything in this extraordinary universe that Martin Scorsese, based on Edith Wharton work, is not what it appears. Conventions out of the window, breaking every imaginable rule. Just as the characters get off their trucks, swimming against the tide of the times. Scorsese breaks cinematic rules with such artistry that we're allow to inspect, re live and enjoy a story as old as the world from a completely new perspective. Is as if Luchino Visconti had suddenly woken up with a new contemporary sight to look back with. Daniel Day Lewis is so marvelous that the pain of his predicament becomes more than visual, becomes visceral. For Michelle Pfeiffer and Winona Ryder this was the zenith of their careers. They are sensational. The casting, as usual in a Scorsese film, is superb even in the smallest roles. Glimpses of Sian Phillips, Alexis Smith and Geraldine Chaplin add to the pleasures, making this overwhelming banquet of a film one of the most rewarding film experiences I've ever had.
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