When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <email@example.com>
At the end of the opera scene (shot at the Academy of Music in Philadelphia) there is an exterior shot of the building. Reflected in the glass doors of the opera house is a neon parking garage sign. To be accurate, neon wasn't even discovered until 1898. See more »
The day before she died, she asked to see me alone, remember? She said she knew we were safe with you and always would be because once when she asked you to, you gave up the thing you wanted most.
[after a long pause]
She never asked. She never asked me.
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The Columbia logo turns sepia to look like a 19th-century photograph. See more »
The greatest movie adaptations are usually made from novels of the second or third rank, the adaptations of the greatest novels-The Brothers Karamazov, War and Peace, Ullysses, are not very good, while Dodsworth,and The Magnificent Ambersons are ranked among the classics. This is yet another example.Scorsese surpasses his material to make a beautiful, bravura nmasterpiece. This is an expressionist film, in which we enter the soul of Newland Archer, all too proper gentleman and would bre free spirit, as he is torn between the allure of seeming non-conformity-the Countess Olenska, and the demand s of tradition and duty-May Welland.People who think its an atypical Scorsese film have never-and i repeat , NEVER paid careful attention to his films, or have only wateched them for the violence and the f-words.Scorsese has always been a tormented moralist, obsessed with loyalty, honor and tradition. This anmazingly rich, often witty film, grows on you with each repeat viewing
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