Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <email@example.com>
When Newland is sitting outside Ellen's apartment waiting for his son, the butler closes the window. As he does so, the window catches the bright sun several times and is reflected on Newland's face. As he walks away, the sun is obviously (by shadows) coming from the opposite direction thus it would be impossible for it to be reflected by the window. See more »
The greatest movie adaptations are usually made from novels of the second or third rank, the adaptations of the greatest novels-The Brothers Karamazov, War and Peace, Ullysses, are not very good, while Dodsworth,and The Magnificent Ambersons are ranked among the classics. This is yet another example.Scorsese surpasses his material to make a beautiful, bravura nmasterpiece. This is an expressionist film, in which we enter the soul of Newland Archer, all too proper gentleman and would bre free spirit, as he is torn between the allure of seeming non-conformity-the Countess Olenska, and the demand s of tradition and duty-May Welland.People who think its an atypical Scorsese film have never-and i repeat , NEVER paid careful attention to his films, or have only wateched them for the violence and the f-words.Scorsese has always been a tormented moralist, obsessed with loyalty, honor and tradition. This anmazingly rich, often witty film, grows on you with each repeat viewing
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