The sisters come back to Delores's show to get her back as Sister Mary Clarence to teach music to a group of students in their parochial school which is doomed for closure. One of the girls... See full summary »
A hate crime on the campus of a New England college puts the school's dean in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
Sarah Jessica Parker,
Young Lori Anderson lost her father in a plane crash. While her mother appears to be picking up the pieces of her life, Lori isn't. She is resentful of every decision that her mother makes ... See full summary »
Sarah Jessica Parker,
When an adorable baby boy is added to the Addams household, Wednesday and Pugsley do not hate the baby, they just aren't necessarily excited about his existence. Ok, yeah they do hate the baby. So Wednesday and Pugsley must get rid of the new addition one way or another. Meanwhile a new nanny is added to the household who overtakes Fester. The Addams must stop the nanny, but how?
Wednesday bitterly quips that "Chippewa" in Camp Chippewa means "orphan". This is pure sarcasm; Chippewa is actually a form of the name Ojibwa (a Native American nation), the original meaning of which is unknown. See more »
When Debbie is speeding in her Mercedes after Fester and Thing, she nearly rear-ends a Lincoln Continental. In the next scene, she's driving behind a completely different car and the same Lincoln she was behind can be seen driving the other way down the road, and she nearly hits it head on. See more »
[giving a funeral to a cat in a shoe-box]
Come, sorrow; we welcome thee. Let us join in grief, rejoice in despair, and honor the fortunate dead.
[the cat mews and Wednesday shakes the box]
[starts piling dirt on the box]
See more »
No longer rehashing old material, they're even funnier this time.
One of my favorite films. Paul Rudnick clearly had a field day writing this screenplay.
As odd as it may seem, this sequel is in many ways superior to its predecessor. The first had to spend much of its time introducing the Family--and, just as importantly, paying (totally justified) homage to Charles Addams' brilliant cartoons and to the old television series. As a result, the plot felt forced, as if it had been the best way the writers could think of to showcase all the source material. In the end, one left the theater feeling that the movie had been 'about' the old sight gags. And then there was the totally shameless product placement...but I digress.
Addams Family Values, on the other hand, gets to be more playful. Because we all know who we're dealing with by now, we don't have to spend nearly so much time introducing the family and their skewed universe. Instead, the characters get more of a chance to develop as they glide blithely through a fuller, more cohesive story.
Paul Rudnick's screenplay is masterful--you'll be quoting from it for weeks. Raul Julia and Anjelica Huston are particularly marvelous as one of the most genuinely loving, passionate couples you've seen in ages. In a weird sort of way.
That dance number! Morticia's ever-present shaft of light! Christina Ricci as the sublime Wednesday! Joan Cusack, unhinged! A split-second cameo by Charles Busch! Oh, rapture. I could go on and on, but I'm running out of superlatives. Suffice it to say that this movie is well worth your time.
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