After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
When an adorable baby boy is added to the Addams household, Wednesday and Pugsley do not hate the baby, they just aren't necessarily excited about his existence. Ok, yeah they do hate the baby. So Wednesday and Pugsley must get rid of the new addition one way or another. Meanwhile a new nanny is added to the household who overtakes Fester. The Addams must stop the nanny, but how?
Michael Jackson was signed on to write and perform a song for the film's soundtrack and to promote it with a video. Although he was able to finish the song, contractual difficulties coupled with the child molestation allegations made against Jackson resulted in the song being dropped from the soundtrack, and the video was never filmed. The song, "Is It Scary," was later included on Jackson's 1997 'Blood on the Dance Floor: HIStory in the Mix' album and was also used in his short film Ghosts (1997). See more »
When Debbie is speeding in her Mercedes after Fester and Thing, she nearly rear-ends a Lincoln Continental. In the next scene, she's driving behind a completely different car and the same Lincoln she was behind can be seen driving the other way down the road, and she nearly hits it head on. See more »
[giving a funeral to a cat in a shoe-box]
Come, sorrow; we welcome thee. Let us join in grief, rejoice in despair, and honor the fortunate dead.
[the cat mews and Wednesday shakes the box]
[starts piling dirt on the box]
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Barry Sonnenfeld (Get Shorty) takes a zany script written by Paul Rudnick (Jeffrey, In and Out) and directs with an exhilarating rhythm to tell the tale of Uncle Fester's marriage to a suspicious young nanny (Joan Cusack) and its effect on the Addams family.
All the actors are absolutely wonderful but Cusack steals the movie with a gleefully nasty turn as the murderous Debbie. Her without-peer comedic talent is more strongly showcased here -watch the scene when Debbie sits in a car waiting for a house to explode- than in her award winning role as Kevin Kline's jilted bride in In and Out. Angelica Huston and Raoul Julia are magnetic in dramatic roles but they also have sensational comic timing and their Morticia and Gomez make a memorable dark-humored pair, most notably in the scenes where the sexual innuendo takes a front-row seat. Peter MacNichol (Ally McBeal) and Christine Baranski (The Ref) have a ball as the irritating summer camp counslers and Christina Ricci will probably never top her performance as Wednesday.
It's a guilty pleasure and a fun ride, zipping by in an hour and a half and also features a hilarious cameo by Peter Graves (Airplane). Check it out!
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