The Addams Family is not your typical family: they take delight in most of the things that "normal" people would be terrified of. Gomez Adams is an extremely wealthy man, and is able to ... See full summary »
On any day of the week, you could expect a newborn baby to be nurtured and loved by his older sister. Except, of course, if it's Wednesday. Pubert is the latest addition to the Addams family and, to prevent sibling rivalry escalating to fratricide, Wednesday and Pugsley are shipped off to summer camp and a nanny is hired. Debby Jellinsky is great with wrinkling baldies, which makes her the perfect nanny for Pubert and the unlikely wife of Uncle Fester. The question is..."Is she grave-digging or gold-digging?" Written by
Tim McSmythurs <Tim.McSmythurs@swindon.ericsson.se>
Christine Baranski and David Krumholtz also appeared together in Life with Mikey in the same year. See more »
Despite being stitched on as part of his makeover, Fester's ginger wig vanishes shortly afterwards. See more »
[giving a funeral to a cat in a shoe-box]
Come, sorrow; we welcome thee. Let us join in grief, rejoice in despair, and honor the fortunate dead.
[the cat mews and Wednesday shakes the box]
[starts piling dirt on the box]
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No longer rehashing old material, they're even funnier this time.
One of my favorite films. Paul Rudnick clearly had a field day writing this screenplay.
As odd as it may seem, this sequel is in many ways superior to its predecessor. The first had to spend much of its time introducing the Family--and, just as importantly, paying (totally justified) homage to Charles Addams' brilliant cartoons and to the old television series. As a result, the plot felt forced, as if it had been the best way the writers could think of to showcase all the source material. In the end, one left the theater feeling that the movie had been 'about' the old sight gags. And then there was the totally shameless product placement...but I digress.
Addams Family Values, on the other hand, gets to be more playful. Because we all know who we're dealing with by now, we don't have to spend nearly so much time introducing the family and their skewed universe. Instead, the characters get more of a chance to develop as they glide blithely through a fuller, more cohesive story.
Paul Rudnick's screenplay is masterful--you'll be quoting from it for weeks. Raul Julia and Anjelica Huston are particularly marvelous as one of the most genuinely loving, passionate couples you've seen in ages. In a weird sort of way.
That dance number! Morticia's ever-present shaft of light! Christina Ricci as the sublime Wednesday! Joan Cusack, unhinged! A split-second cameo by Charles Busch! Oh, rapture. I could go on and on, but I'm running out of superlatives. Suffice it to say that this movie is well worth your time.
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