In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly ... See full summary »
In Spain, the sports journalist Juan has a perfect life with his wife Sonia: they have just had a baby and moved to an old house that needs to be repaired in a fancy neighborhood. When ... See full summary »
Álex de la Iglesia,
The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words ... See full summary »
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly people. Escaping from the police in their spaceship, Ramon try to kill his gang in order to get all the ransom. The trip ends abruptly when they crash in Axturiax, the planet of the crazy miners where no woman lives. Written by
I'm a real admirer of Alex de la Iglesia's superb supernatural comedy thriller 'The Day Of The Beast', so I was really looking forward to watching 'Accion Mutante', his previous movie. It started off superbly as a exciting, violent and witty black comedy about a gang of (mostly deformed) mutant terrorists intent on destroying "the beautiful people" and their mediocre, hypocritical society. They kidnap the daughter of a bourgeois business and hold her for ransom.
Fantastic! All was going great, the balance between satire, action and silliness was handled imaginatively, but half way through the movie changes direction, and becomes increasingly less interesting. The planet where Mutant Action land to make their exchange is populated by a family of grotesques similar to one's in Philip Brophy's equally bizarre 'Body Melt', or like some of the stranger characters seen in the comics of Garth Ennis. Unfortunately for me the movie loses focus at this point, all the earlier potential for surreal social criticism is abandoned, and it becomes a standard b-grade sci fi action flick with only a few good bits.
It's a shame to me that the movie didn't continue in the approach of its first half, because I think if it did it would be a classic piece of science fiction. As it is, with all its flaws, it's still better than 90% of American SF movies made in the last 15 years, and recommended viewing. Please track down 'The Day Of The Beast' though, it's sensational!
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