| Jonathan Silverman | ... | Barry Thomas | |
| Helen Slater | ... | Lisa Fredericks | |
| Nicolas Surovy | ... | Robert Denk | |
| Robin Bartlett | ... | Anne Jackson | |
| Jeremy Piven | ... | Howard Richter | |
| Constance Marie | ... | Joan Zevo | |
| Glenn Morshower | ... | Detective Cryers | |
| Martin Landau | ... | Dr. Thadius Moxley | |
| Paxton Whitehead | ... | Dr. Tiberius Scott | |
| Cheryl Anderson | ... | Supervisor | |
| Giuseppe Andrews | ... | Kyle (as Joey Andrews) | |
| Frank Collison | ... | Thin Assassin | |
| Ed Crick | ... | Detective | |
| Jonathan Emerson | ... | Ted Fallow | |
| Drew Gehl | ... | Night Guard | |
| Mary Hale | ... | Anchorwoman | |
| Mark Christopher Lawrence | ... | Jack Spays | |
| Will Leskin | ... | Guard on Walkie Talkie | |
| Eric Mansker | ... | Heavy Assassin | |
| Mark Phelan | ... | Science Wing Guard | |
| Hosea Sanders | ... | Newscaster | |
| Ann Shea | ... | Annette | |
| Lara Steinick | ... | Woman on Street | |
| Danny Trejo | ... | Prisoner | |
| Jim Turner | ... | Unemployed Dad | |
| Ray Victor | ... | Renaldo, the Flower Vendor | |
| F.X. Vitolo | ... | Utility Worker | |
| rest of cast listed alphabetically: | |||
| Brian Brigham | ... | Paper Boy | |
Directed by | |||
| Jack Sholder | |||
Writing credits(WGA) | ||
| Richard Lupoff | (short story 12:01 P.M.) | |
| Jonathan Heap | (television story) | |
| Philip Morton | (teleplay) | |
Produced by | |||
| Bob Degus | .... | producer | |
| Sasha Emerson | .... | executive producer | |
| Jonathan Heap | .... | producer | |
| Cindy Lovelady | .... | producer (as Cindy Hornickel) | |
| Sergio Martinez | .... | associate producer | |
| Jana Sue Memel | .... | executive producer | |
| Aaron Meyerson | .... | associate producer | |
Original Music by | |||
| Peter Rodgers Melnick | |||
Cinematography by | |||
| Anghel Decca | |||
Film Editing by | |||
| Michael N. Knue | |||
Casting by | |||
| Leslee Dennis | |||
Production Design by | |||
| Michael Novotny | |||
Art Direction by | |||
| Kristian D. Bast | |||
Set Decoration by | |||
| Anthony Stabley | |||
Costume Design by | |||
| Cynthia Bergstrom | |||
Makeup Department | |||
| Kerry Mendenhall | .... | hair stylist | |
| Anne P. Turk | .... | additional makeup artist | |
Second Unit Director or Assistant Director | |||
| Adam Druxman | .... | additional second assistant director | |
| Jeffrey Wetzel | .... | first assistant director | |
| John Wildermuth | .... | second assistant director (as John Wildermuth Jr.) | |
Art Department | |||
| Sabina C. Alvarez | .... | art department production assistant | |
| Gene Bishop | .... | lead person | |
| David S. Bridson | .... | on-set dresser (as D.S. Bridson) | |
| Erik F. Brown | .... | additional set dresser | |
| Ashley Davies | .... | assistant property master | |
| Joseph W. Grafmuller | .... | swing gang (as Joseph Grafmuller) | |
| Jay Lang | .... | swing gang art department | |
| Ed Martin II | .... | swing gang art department | |
| Richard Paul Pond | .... | swing gang art department | |
| Steven Schalk | .... | property master | |
| Thom Schillinger | .... | illustrator | |
| Warren Sewell | .... | swing gang | |
| João M.F. Stefanon | .... | assistant art director | |
| Phil Tubach | .... | swing gang | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Ricardo Broadus | .... | sound effects editor | |
| Jim Brookshire | .... | dialogue editor | |
| Harry Cohen | .... | sound effects editor | |
| Marc Fishman | .... | supervising sound editor | |
| Scott Ganary | .... | sound re-recording mixer | |
| Tim Gedemer | .... | sound effects editor | |
| Brian Geer | .... | foley mixer | |
| Vince Nicastro | .... | foley artist | |
| Linda Perry | .... | boom operator | |
| Paul Rodriguez | .... | director of sound services | |
| Tony Sereno | .... | sound re-recording mixer | |
| Cathie Speakman | .... | dialogue editor | |
| Ken Teaney | .... | sound re-recording mixer | |
| Pat Toma | .... | sound mixer | |
| Jeff Vaughn | .... | adr mixer | |
Special Effects by | |||
| David Domeyer | .... | special effects assistant | |
| G. Bruno Stempel | .... | special effects coordinator | |
Stunts | |||
| Christine Anne Baur | .... | stunts (as Christine Baur) | |
| Lance Gilbert | .... | stunts | |
| Mickey Gilbert | .... | stunts | |
| Tim Gilbert | .... | stunt coordinator | |
| Heidi Ho | .... | stunts | |
| Chuck Hosack | .... | stunts | |
| Al Jones | .... | stunts (as Alton Leo Jones) | |
| Robert Keller | .... | stunts (as Robert Alan Keller) | |
| Ric Roman Waugh | .... | stunts | |
Casting Department | |||
| Alyssa Weisberg | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lori DeLapp | .... | costumer (as Lori McClellen) | |
| Janet Sobel | .... | costume supervisor | |
Editorial Department | |||
| Edward R. Abroms | .... | assistant editor | |
| Lynn Hobson | .... | post-production coordinator | |
| Mato | .... | color timer | |
Music Department | |||
| Carol Sue Humphrey | .... | music editor | |
| Michael Stone | .... | music mixer | |
Transportation Department | |||
| J. Wesley Adams | .... | driver (as Wes Adams) | |
| Rod Bearden | .... | driver | |
| Charley Bob Burnham | .... | transportation coordinator | |
| Dave Dargie | .... | driver | |
| Max Delgado | .... | driver | |
| Frank Gallardo | .... | driver | |
| Donald B. Martin | .... | driver: honeywagon | |
| Charles Montgomery | .... | driver | |
| Nelson O. Noguera | .... | driver | |
| Corey Pickerill | .... | driver | |
| Genaro Rodriguez | .... | driver | |
| Kurt Schmiederer | .... | driver | |
| William Mark Spencer | .... | driver | |
| Steve Vaughn | .... | driver | |
| Daniel R. Suhart | .... | transportation (uncredited) | |
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| The Matador | Source Code | Retroactive | Groundhog Day | 21 Grams |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section |
Excellent film - better than groundhog day and other similar time loop stories. Well acted and easy to follow. Sometimes the TV films are the best ones as they don't have to pander to the masses. The writer managed to get inside the heads of the two main characters illustrating their good points and flaws, and showing how both changed in the process. Also lives out people's aspirations of trying to get things right given a 2nd or 3rd or 4th chance. Whereas films like The Butterfly Effect and Groundhog Day are very watchable, it seems much easier to identify with the more realistic characters in 1201. The time loops seem to be just right in length - their variability keeps the watcher interested. The ending was excellent and although predictable - it rounded off the story nicely.