Barry Thomas is the average office worker. He becomes attracted to Lisa Fredericks who works in the same company. After work, Barry witnesses the murder of Lisa and goes to a bar to get ... See full summary »

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(short story 12:01 P.M.), (television story) | 1 more credit »
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2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Robert Denk
...
Anne Jackson
...
Howard Richter
...
Joan Zevo
...
Detective Cryers
...
Dr. Thadius Moxley
...
Dr. Tiberius Scott
...
Supervisor
...
Kyle (as Joey Andrews)
...
Thin Assassin
Ed Crick ...
Detective
...
Ted Fallow
Drew Gehl ...
Night Guard
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Storyline

Barry Thomas is the average office worker. He becomes attracted to Lisa Fredericks who works in the same company. After work, Barry witnesses the murder of Lisa and goes to a bar to get drunk. Later that night, there is a storm and Barry gets a shock from a lamp's faulty power wire at exactly 12:01 am. The next morning, he realizes that everything is happening exactly as it did the previous day. The next morning the day is repeated again. It is now Barry's job--being the only person alive who is aware of this time loop--to stop the murder of Lisa, and stop the time loop or be caught in time forever. Written by Matt Houser <mhouser@io.org>

Plot Summary | Plot Synopsis

Taglines:

Every day at a minute past midnight the sci-fi adventure begins... again. See more »


Certificate:

PG-13 | See all certifications »
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Details

Country:

Language:

Release Date:

5 July 1993 (USA)  »

Also Known As:

12:01 - A kizökkent idő  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

When Barry checks the department directory to find Lisa's office number, three of the first four names listed are members of the film's Art Department crew: lead person Gene Bishop, on-set dresser David S. Bridson, and assistant property master Ashley Davies. See more »

Goofs

About 27 minutes into the movie, we see a shot of a newspaper article bearing the headline "TIME BOUNCE THEORY POSSIBLE THREAT", sub-headed "Scientists Predict Experiment Could Cause Time to Repeat". The shot is clear enough that we can clearly read the main article text, which has nothing whatsoever to do with the headers or with anything happening in the movie. The article text simply consists of the following bit of text repeated over and over again: "For a new practice complete a documentary on Los Angeles dance pioneer Lester Horton, one of his former company members is searching for archival footage as well as presenting a dance performance as a fund-raising benefit. As the new times" See more »

Quotes

Barry Thomas: You know, we had a lot more fun last night.
Lisa Fredericks: [amused] We did?
Barry Thomas: Yeah, we took a walk in the woods, and we sat by a fire...
Lisa Fredericks: We sat by a fire?
Barry Thomas: Yeah.
Lisa Fredericks: Are you saying that you, that we, I mean - Did you get lucky?
[His smile fades as she stares at him]
Lisa Fredericks: Oh my God. You got lucky!
Barry Thomas: You got lucky, too!
See more »

Connections

Remake of 12:01 PM (1990) See more »

Soundtracks

BABY DON'T LEAVE
Performed by William Peterkin
Written by Barbara L. Jordan, William Peterkin
Used by permission of Heavy Hitters & Wild About Music
See more »

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User Reviews

 
Ever have one of those days?
27 November 1999 | by (New York) – See all my reviews

Barry Thomas is having one. The really bad news is it keeps coming back.

Barry starts out as a likable, well-intentioned goofball marking time in a dead-end job. Underutilized, doing his best but going nowhere fast under the heel of the department head from Hell. A lot of people can empathize when he writes on his calendar: "Get new job or die!" Jonathan Silverman does a good job as Barry, making him sympathetic (maybe a little pathetic, as well) and vulnerable, but his unique circumstances eventually bring out a steely determination born of sheer frustration.

Unlike "Groundhog Day," there's a lucid explanation for why this is happening to Barry and the film revolves around how he tries to "get off the hamster wheel," as he puts it. "Groundhog" seems to offer an almost divine explanation, that all would progress once Bill Murray's character got things right. Barry was trapped in a self-perpetuating science experiment gone awry and he knew early on how to get out of it. Too bad it's easier said than done.

Helen Slater basically reprises the role she played six years earlier in "The Secret of My Success." Attractive, driven, young prodigy, brilliant beyond her years, emotionally cold in the beginning, worshiped from afar by a kind, wisecracking young man who eventually wins her heart and turns her into a giggling schoolgirl.

The plotting is intricate and it's fun to watch how each cycle changes even without Barry's direct intervention. Some things, like the coworker getting splashed with hot coffee, seem unavoidable in the grand scheme.

The editing in the home video edition is exceptionally fluid. Unlike most TV-movies available on tape or laserdisc, it's nearly impossible to remember where the commercial breaks were.

Still, if there were one flaw, it would be that Barry should have waited through one more cycle before breaking out. He'd only gone through four or five repetitions; one more wouldn't have been so bad. Getting out when he did left one of the good guys irrevocably dead.

It's interesting to see how many of this cast went on to NBC comedies. Silverman went on to star in two seasons of "The Single Guy." Paxton Whitehead and Robin Bartlett had recurring roles in "Mad About You." And Helen Slater had a guest role as a pyromaniac on "Caroline In the City," finally playing a role other than harmless ingenue.

One possible in-joke. Lisa confides to Barry that her favorite music is from the Carpenters. Coincidence? Or was this story originally called "Yesterday Once More"?


24 of 29 people found this review helpful.  Was this review helpful to you?

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