A multi-national corporation attempts to take over America while small pockets of resistance hold out against rampant technology.
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1  
1993  
Nominated for 1 Primetime Emmy. Another 3 nominations. See more awards »
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Cast

Complete series cast summary:
...
 Harry Wyckoff (5 episodes, 1993)
...
 Grace Wyckoff (5 episodes, 1993)
...
 Sen. Anton Kreutzer (5 episodes, 1993)
...
 Paige Katz (5 episodes, 1993)
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 Josie Ito (5 episodes, 1993)
...
 Tommy Lazlo (5 episodes, 1993)
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 Tabba Schwartzkopf (5 episodes, 1993)
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 Tully Woiwode (5 episodes, 1993)
...
 Eli Levitt (5 episodes, 1993)
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 Coty Wyckoff (5 episodes, 1993)
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 Dr. Tobias Schenkl (5 episodes, 1993)
...
 Peter (5 episodes, 1993)
...
 Chap Starfall (3 episodes, 1993)
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 Chickie Levitt (3 episodes, 1993)
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 Stitch (3 episodes, 1993)
...
 Hiro (3 episodes, 1993)
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 Tambor (3 episodes, 1993)
...
 Gavin Whitehope (2 episodes, 1993)
Eugene Lee ...
 Lt. Bob Grindrod (2 episodes, 1993)
...
 Eileen Whitehope (2 episodes, 1993)
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Storyline

LA in the near future, Harry Wykoff accepts a job as presidents of a gigantic TV company. Het is confronted with a total new technology called "The New Reality" where three-dimensional TV animated pictures are projected in living rooms all around the world. Harry launches to the top of the company with his career but once there he is caught in a web of intrigues, betrayal and murder. A game of life and death begins... Written by <s.w.zaat@student.utwente.nl>

Plot Summary | Add Synopsis


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Details

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Release Date:

16 May 1993 (USA)  »

Also Known As:

Vad pálmák  »

Company Credits

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

At one point, Jim Belushi's character is asked, "Do you want to be a samurai, Harry?" and later, he is seen carrying a samurai sword. Coincidentally, Belushi's late brother John was famous for portraying a comedic samurai character on Saturday Night Live (1975). See more »

Goofs

The rear-view mirror in Harry's corvette appears and disappears from scene to scene. See more »

Quotes

Tully Woiwode: I'm just wild about Harry, and Harry's wild about me!
See more »

Connections

Features Rebel Without a Cause (1955) See more »

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User Reviews

'What a strange world. So dramatic, so predatory.' - 'We're like two old generals.'
29 July 2001 | by (Amsterdam, Netherlands) – See all my reviews

It's a pity it wasn't released 5 years earlier: the mood created by cinematographer Phedon Papamichael (Phenomenon, Cool Runnings) is so eighties-like, the great Michael Mann (L.A. Takedown, Manhunter, The Insider) must like it, if only visually: it's very clean and cool. Except Mann usually adds some really excessive displayals of power with lots of shooting (Miami Vice) and lots of music. Wild Palms is far more subtle. The great score was created by legendary composer Ryuichi Sakamoto (Merry Christmas Mr. Lawrence). The chosen hit songs (Where the streets have no name, Hello I must be going) just add slightly to the mood and you really have to pay attention to the songtexts. And notice the subtle fashion statements, like the sober collars? There are 5 episodes directed by 4 directors, one of which is Kathryn Bigelow (Near Dark, Point Break, Strange Days): Strange Days (1995) is a nice movie about more or less the same subject but without the aesthetics and the good acting. James Belushi is great, Robert Loggia and Angie Dickinson must be the devil themselves.

Wild Palms may feel like 'Dynasty - the play - set in the future' about families in multimedia instead of oil. The story IS about media monopolies and law-suits (MS anyone? - Church Windows): there seems to be no credible independent justice system anymore in this future. There are family intrigues, but definitely never really feels like a soap opera. However, one of the flaws of Wild Palms is that you can see that it is made for tv because you can see where the commercials are supposed to be. Wild Palms is quite lengthy, but I just couldn't wait for the next episode to be broadcasted seven days later. I wouldn't recommend trying to watch all episodes at once, because the pace is rather low. Cut it down to 180 minutes and you can show it in a theater (although Warhol's 'Empire' wasn't cut down a minute...). Definitely more interesting than 'JFK' and 'Nixon' together.

9/10


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