After a deadly plague kills most of the world's population, the remaining survivors split into two groups - one led by a benevolent elder and the other by a maleficent being - to face each other in a final battle between good and evil.
A small village off the mainland is about to receive a huge winter storm. It won't be just another storm for them. A strange visitor named Andre Linoge comes to the small village and gives ... See full summary »
Becky Ann Baker,
Explosion in the most secret laboratory of the USA. The old janitor Harlan Williams is incubated by totally unknown chemicals. Now he changes and becomes younger instead of older. The ... See full summary »
The small town of Haven becomes a hot-bed of inventions all run by a strange green power device. The whole town is digging something up in the woods, and only an alcoholic poet can discover the secret of the Tommyknockers. Written by
Stephen King was bored one afternoon, so he scribbled out a story about some buried artifacts being uncovered and possessing people's brains. In this town, there's not much in the way of brains to take over. You know that somebody's possessed; how? They have green neon eyes, that's how. Why you hear little kids singing a jump-rope rhyme is never explained, but it sure is annoying.
Let's back up a moment. This is one of those King novels that was turned into a mini-series. Leave about 30% of the footage on the cutting room floor to shave this to its proper run time, and it would be better. The entire first two hours is character development: a complete waste of time because possessed people lose their personalities anyway. The blonde bimbo never has a personality-before or after possession-but I digress. The main problem is that the townsfolk are eminently boring. Those that get possessed, have weird green eyes, but they're still boring. There are some moments of gross-out bloody deaths, but somehow the film makes even these dull.
A quick note: the cast is not at fault for the shallow characters. The acting is rather professional and convincing (considering what they had to work with), and rises miles above the juvenile writing. The only fault the actors had was allowing their agents to sign them up for this pointless misfire.
The film does scratch out a few useful moments here and there; the closing sequence is interesting, even though it predictably fails to resolve anything.
Rent Plan 9, instead. At least that film is funny.
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