A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
The Borg travel back in time intended on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The stable wormhole discovered by the Deep Space Nine crew is known to the Bajoran people as the Celestial Temple of their Prophets. Sisko, as discoverer of the wormhole and its inhabitants, is therefore the Emissary of Bajoran prophesy. The wormhole's other end is in the Gamma Quadrant, halfway around the galaxy from Bajor. That section of space is dominated by the malevolent Dominion. The Dominion is led by the Changelings, the race of shapeshifters to which Odo belongs. As of the beginning of the sixth season, Cardassia has joined the Dominion, and together they are waging war on the Federation and their Klingon allies. The war is quickly becoming the most costly war ever for the Federation, and the Deep Space Nine crew must fight to protect their way of life. Written by
Matthew D. Wilson <firstname.lastname@example.org>
When the Nielsen ratings started to go down during the broadcasting of the third season, the studio pressed for radical ideas for the fourth season to increase the show's popularity again. Some of their suggestions included blowing up planet Bajor, or taking the action away from the station. They finally decided that the show needed a popular character from an earlier Star Trek series. Initially, the producers weren't too pleased, because they had set up a subplot within the Dominion War storyline where the Federation would be facing off against the Klingons, and were already having difficulties making it work. However, this studio decision turned out to be a blessing in disguise when someone suggested to introduce The Next Generation's Worf (Michael Dorn) to the cast as an intermediate between the Federation and the Klingons, which conveniently solved most of the script problems. See more »
During the opening title sequence, the wormhole is shown at inconsistent angles to how it looks as the crew observe it from the station's windows. In the title sequence, the wormhole is angled upward at approximately a 40° angle. When the crew observes it from the station, it's pointed down at about a 260° angle. See more »
Think of it! Five years ago no one had ever heard of Bajor or Deep Space Nine, and now, all our hopes rest here!
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The opening credits for "Emissary" lacked the wormhole opening that all future episodes featured. Starting with Season 4, the opening credits included additional spacecraft and activity around the station, including the Defiant flying into the wormhole. See more »
I won't say much about "Deep Space Nine" other than that it is the most well written, off-beat, and truly suspenseful of the Star Trek series. It is the series for everyone else... those who don't enjoy happy Star Trek (ie- "Next Generation), weird Star Trek (ie- "The Original"), or dumb Star Trek (ie- "Voyager").
It has a much darker tone, with a story-line that, if anyone watched from the beginning of the story arc to what is on currently, could understand and enjoy. It doesn't have the traditional "We are the Champions and can solve any problem in an hour". It features low-life, people making mistakes in judgement, conflicts over spirituality, and a much more human and less superficial look at one of pop culture's little universes. It features war-torn individuals and petty conflicts over land. Problems with culture-clash, government conspiracy and corruption, etc... This list could go on and on.
The main thing that makes "Deep Space Nine" different is that it is a Star Trek series for folks who don't want a lot of technobabble (not that there isn't any) Star Trek, where problems just go away or perfect people on a perfect ship that always win. It makes it more interesting for the watcher, almost like reading a novel. Most people, especially non-Trek fans, who had watched the series from its conception or joined when the story arc began about 4 years ago will know what I mean when I say this is an untraditional type of Star Trek. And those who haven't, try it. It's definitely a move away from the stereotype most folks have about the Star Trek series (though of the other Star Treks, I can't say the same.)
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