A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The stable wormhole discovered by the Deep Space Nine crew is known to the Bajoran people as the Celestial Temple of their Prophets. Sisko, as discoverer of the wormhole and its inhabitants, is therefore the Emissary of Bajoran prophesy. The wormhole's other end is in the Gamma Quadrant, halfway around the galaxy from Bajor. That section of space is dominated by the malevolent Dominion. The Dominion is led by the Changelings, the race of shapeshifters to which Odo belongs. As of the beginning of the sixth season, Cardassia has joined the Dominion, and together they are waging war on the Federation and their Klingon allies. The war is quickly becoming the most costly war ever for the Federation, and the Deep Space Nine crew must fight to protect their way of life. Written by
Matthew D. Wilson <email@example.com>
The Dominion storyline was originally only meant to span two episodes. Ronald D. Moore and Ira Steven Behr lobbied to make the storyline ongoing, but met with resistance from Executive Producer Rick Berman who wanted to maintain an episodic format to the series. After Berman left production to oversee the launch of Star Trek: Voyager (1995), Moore and Behr were given more creative control over this series, making the Dominion War the main plot of the show and adopting a serialized format. See more »
During the opening title sequence, the wormhole is shown at inconsistent angles to how it looks as the crew observe it from the station's windows. In the title sequence, the wormhole is angled upward at approximately a 40° angle. When the crew observes it from the station, it's pointed down at about a 260° angle. See more »
You don't have anything to hide, do you?
[Looks at Leeta as she walks past]
You certainly don't.
See more »
The opening credits for "Emissary" lacked the wormhole opening that all future episodes featured. Starting with Season 4, the opening credits included additional spacecraft and activity around the station, including the Defiant flying into the wormhole. See more »
This is easily the best of all the Star Trek series. The characters are likable, and develop well over time. Of course it helps that many of the characters are warm and funny and very well fleshed out. Quark is a favourite of mine, always funny and well acted. The story itself is great, and really picks up in season 4. Having a plot that develops throughout rather than just stand-alone stories like many of the Next Generation episodes helps it a lot. The Religion v Science aspects are an interesting addition to a science-fiction show. Ideas created in TNG are carried forward and developed, such as the Trills, while in TNG they simply move their personality to a new body in this the idea is taken further and the personalities are merged, making the race much more interesting. One of the great aspects of the show is the relationships between the characters. O'Brian and Julian seem like genuine friends, Odo and Quark and their rivalry, and the on going feud of Sisko and Gul Dukat, the two commanders of the Station. The series created some genuinely good characters. Sisko, the Federation Officer torn between duty and destiny. Garak, the traitor with decidedly dark past, and Gul Dukat, a truly great villain. The series succeeds with a grand plot, paints a wider picture of the Star Trek Universe, and would make for some great feature films.
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