A prequel series, set 100 years before the original Star Trek series, which focuses on the early years of Starfleet, leading up to the formation of the Federation and the Earth-Romulan Wars. The series is set aboard the Earth ship Enterprise NX-01, captained by Jonathan Archer.
Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The stable wormhole discovered by the Deep Space Nine crew is known to the Bajoran people as the Celestial Temple of their Prophets. Sisko, as discoverer of the wormhole and its inhabitants, is therefore the Emissary of Bajoran prophesy. The wormhole's other end is in the Gamma Quadrant, halfway around the galaxy from Bajor. That section of space is dominated by the malevolent Dominion. The Dominion is led by the Changelings, the race of shapeshifters to which Odo belongs. As of the beginning of the sixth season, Cardassia has joined the Dominion, and together they are waging war on the Federation and their Klingon allies. The war is quickly becoming the most costly war ever for the Federation, and the Deep Space Nine crew must fight to protect their way of life. Written by
Matthew D. Wilson <email@example.com>
The primary design of Deep Space Nine is based off a gyroscope, but with the top and bottom parts removed. Some of the earlier designs of DS9 by Herman F. Zimmerman had complete hoops, also like a gyroscope, and the idea was that rotating the station would create artificial gravity, until someone pointed out that there was no need for this, as Star Trek ships use gravity generators. However, the idea of a halo-shaped space station stuck, and it was used in the final design. See more »
During the opening title sequence, the wormhole is shown at inconsistent angles to how it looks as the crew observe it from the station's windows. In the title sequence, the wormhole is angled upward at approximately a 40° angle. When the crew observes it from the station, it's pointed down at about a 260° angle. See more »
You don't have anything to hide, do you?
[Looks at Leeta as she walks past]
You certainly don't.
See more »
The opening credits for "Emissary" lacked the wormhole opening that all future episodes featured. Starting with Season 4, the opening credits included additional spacecraft and activity around the station, including the Defiant flying into the wormhole. See more »
DS 9 is simply the best of the Star Trek series, and, I suspect, will eventually emerge from its black sheep status and be remembered as the most mature and compelling SF series of the 20th century.
So what makes it so good? The whole overarching concept about Bajor, the wormhole aliens, Cisco's origins and destiny, the tension between different races and characters, and (perhaps most of all) the _continuity_ once the Dominion War begins (in many ways the last four seasons are more like one collossal 75-hour movie than a series of discreet episodes).
If there is a fault to DS9 it is probably that it took some time to hit its straps. The early seasons were not up to the quality of seasons 4-7, but when Worf arrives, The Defiant arrives, Cisco shaves his head, and The Dominion set their sites on the Alpha Quadrant, you have yourselves a hands down classic for the final 4 seasons.
Character development and personal relationships are handled far more satisfyingly and richly here than in any other ST series. There is nothing elsewhere in the ST franchise to compare with the Odo/Kira relationship (or even the Odo/Quark, Bashir/O'brien relationships if it comes to that). There are no dud major characters (even if Avery Brooks is given to occaisional fits of extreme over-acting) - and nestled in amongst the Dominion War story arc somewhere is that one little jewel of an episode where the entire cast are working for a SF pulp magazine in the late 40's - an absolute pearler that I could watch over and again.
I became far more emotionally attached to the characters of DS9 than any other Start Trek series. I recently re-watched the whole thing on video, and was genuinely sad to see it end, all over again.
Damn, I miss that show. They could have run it forever as far as I'm concerned. The really sad thing is, it was such a perfectly self-contained story that there is almost no prospect of any DS9 movies - which is doubly tragic, if the Next Generation movies are going to finish with Nemesis.
Or maybe not. Let's face it; Star Trek has failed on the big screen more often than it has scored. Where it really belongs is on the small screen, and DS 9 is the pinnacle of its achievement in that media, in my opinion.
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