In the early 21st century, mankind has colonized the oceans. The United Earth Oceans Organization enlists Captain Nathan Bridger and the submarine seaQuest DSV to keep the peace and explore the last frontier on Earth.
By the mid-21st Century, humankind has colonized the oceans and formed the UEO--the United Earth Oceans--as a military organization to police it. Formerly a high-ranking member of the UEO, Nathan Bridger retired after the death of his wife, and retreated to an isolated island to study dolphins. An attempt is made to hijack the Seaquest DSV, the UEO's most powerful undersea vessel, and Nathan--its original designer--is convinced to return to active service, to assume command of it. His second in command is Cmdr. Jonathan Ford. In second season, the DSV added Dagwood, a prototype GELF (Genetically Engineered Life Form), Tony Piccolo, a man with surgically implanted gills, and Dr. Wendy Smith, a telepath/empath, to its crew of specialists. The series has New Age leanings, often presenting stories that deal with environmental issues or mix myth and mysticism--from ghosts to "gods"--into its science fiction. Written by
Marg Baskin <firstname.lastname@example.org>
Jonathan Brandis (Lucas Wolenczak) is the only actor to appear in all 57 episodes of the series. In second place are Don Franklin (Commander Jonathan Ford) and Ted Raimi (Lt. Timothy O'Neill) who appeared in every episode except for "And Everything Nice". See more »
This thing is wrapped tighter than Krieg's wallet.
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Brief profiles of sea-life conservation programs and efforts were shown during the closing credits of the first two seasons. 'Bob Ballard (I)' , the show's scientific advisor, narrated the first season segments; during the second year, cast members did the narration. See more »
To Be Or Not To Be (90 minute pilot). Despite being known as a movie star, I wish to say that Roy Scheider did his best acting in this pilot episode. Roy very reluctantly takes command of the supersub and his exchanges with the crew and confusion over the workings of the sub make for great viewing. However, not a perfect ep, no seaQuest ep is perfect, the CGI underwater effects do not work for me as my lifetime exposure to Voyage to the Bottom of the Sea has given me views on how a submarine series should be produced.
SeaWest (episode 10) The supersub goes to a rather false looking (and false sounding) Australia, underwater. But despite being phony (to an Aussie like me), this story of down and dirty miners is cool. Note: Voyage to the Bottom of the Sea never went Down Under! This was the first episode since the all-important pilot to really capture my interest.
Greed For A Pirate's Dream, highlighted by great characterisation from the regulars and that nut scientist from episode two returns. The scripting here is very good and we have shades of a disaster movie as the island folk refuse to leave the island despite knowing that doom is around the corner.
Whale Song, Voyage to the Bottom of the Sea-ish episode as the military orders Bridger to take the sub into combat and destroy a sub. The early scene of the remains of a beached whale is of motion picture standard. The all-male crew of the trouble making submarine has a Voyage/Sea-look. Abalon (see my review of this episode on the episode list link).
Higher Power, season final and things really do end, characterisation moments come thick and fast in this gem of an episode.
Daggers (year two opener), Genetically engineered people cause trouble in this high energy ep.
Meltdown, A 200 foot crocodile makes trouble for everyone...and the ending of this hour is very well scripted. Not a very popular episode with many but this stuck-in-Irwin Allen monsters-reviewer likes it.
Lostland, The crew get taken over by the curse of an ancient warrior's helmet and Scheider's bad guy acting makes this. A top episode that captures tiny shades of 1960s Irwin Allen.
Thanks to a DVD release, seaQuest is getting new viewers who can be thrilled by NINE minutes of "deleted" footage from the pilot! The footage should never have been removed, however, I admit that one deleted moment on the enemy submarine looks a bit too goofy (a crewman gets zapped to death), this bit just does not fit the pilot...but I like it.
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