Three 40-something best friends from Los Angeles are flying to Paris when their plane makes an emergency landing in Cleveland. Realizing that all the norms from Los Angeles don't apply anymore, they decide to celebrate a city that values real women and stay where they're still considered hot.
Al Bundy is a misanthropic women's shoe salesman with a miserable life. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.
Hot-tempered journalist Maya Gallo got herself fired from yet another job when she made an anchorwoman cry on the air with some gag copy on the teleprompter. Unable to find a job anywhere ... See full summary »
Laura San Giacomo,
Fran Fine, a whiny, nasal-voiced Jewish woman from Flushing, New York, has just been fired from her job and abandoned by her boyfriend. She ends up selling cosmetics in Manhattan. This takes her to the home of Maxwell Sheffield, a rich, widowed English Broadway producer. She is mistaken to be applying for the job of nanny to Maxwell's three children and is hired for that purpose. She becomes quite attached to the children, Maggie, Brighton, and Grace, and becomes great friends with the butler, Niles. There is sexual tension between her and Mr. Sheffield, which is complicated by the fact that his business partner, C.C. Babcock, likes him. Written by
The bedroom arrangement constantly changes. You can see them use the bedroom near Maxwell's room for all three kids through out the series. You can even see Brighton going into Maxwell's room when being told to go into his own. See more »
Where the devil is C.C.?
Well, Sir, it is raining outside... maybe she melted?
Shall I look outside for a pointy hat and Chanel suit?
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I thought the "there's something delightful about poking fun at being Jewish" was at the center of Fran's charm. You couldn't help but love her every step of the way.
Probably the best aspect of this series was that as a comedy, other series take themselves so seriously.
Not with Fran Drescher's THE NANNY. Fran knew exactly how far to push her lovable kitschy style and always kept it in check with her timing and sexy panache. The show concluded at the right time in the course of the series. By golly, you've got to give them credit for knowing when to stop. So many shows are run into the ground and the endings are hastily wrapped up. Not so with this program. The last episode was warmly sad for we devoted fans of this show. But it was done just right...just when you thought the time for the credits was approaching...through tears in your eyes....came out Grandma.
There were several characters which have been mentioned before in other reviews; all of which I loved...but by far the best was ANN GUILBERT as the grandmother. Her comic timing, her gentle way with her character, her facial expressions were so priceless reminds me now of how my own mother is advancing in her years. It is disappointing that she was not nominated for an Emmy for this series. Perhaps her part was not large enough. But oh, what she did with those precious minutes. It harkens back to those wonderful days when she was Millie Helper, Rob and Laura Petrie's quirky and nosy neighbor on the Dick Van Dyke Show. What a talent this women has given us!
Thank you, Ann....and thank you, Fran for choosing her to play this part. You are still sorely missed one and all. Thank goodness for syndication!
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