After Israel hangs himself, Sipowicz investigates a clue which is a bible verse that Israel pointed out to him, which leads Sipowicz and Simone to set up a complex sting operation to find out if the ...
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
Each week viewers see the gritty reality of life in a New York City Police unit as the officers go about their work with a grim determination. Two partners, Detectives Andy Sipowicz and John Kelley (later replaced by Bobby Simone), are the central characters in this weekly police drama, and personify very different approaches to their difficult job. Sipowicz's brash gruffness (covering an emotional vulnerability) is tempered by the precise and controlled demeanor of the two partners with whom he has worked. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
I've almost never missed an episode of this show during it's entire run. I'm going to miss having a "normal" cop show on the air. Law and Order is too talky and the CSI procedural stuff is just too much of an okay thing. I must say that it's the tiny moments in "Blue" that have the biggest impact on me. The final picture-taking sequence in this week's episode just seemed like two actors (Franz and Clapp) really relishing the joy they've had working with one another all these years. Even though you can see where it seems to be going, I still look forward to spending time with the fictional 15th squad. Currie Graham was a great addition and some unsung players that never get press (Henry Simmons, anyone?)have just made this show so good--and so New York.
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