Just days after Sylvia gives birth to a baby boy (Theo), Sipowicz suffers an emotional setback when Andy Jr. is found murdered in the line of duty. Sipowicz wants Simone to lead the case of his son's...
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
Each week viewers see the gritty reality of life in a New York City Police unit as the officers go about their work with a grim determination. Two partners, Detectives Andy Sipowicz and John Kelley (later replaced by Bobby Simone), are the central characters in this weekly police drama, and personify very different approaches to their difficult job. Sipowicz's brash gruffness (covering an emotional vulnerability) is tempered by the precise and controlled demeanor of the two partners with whom he has worked. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
[Jones and Sipowicz are questioning a suspect]
Man, I can't go to no jail! What am I going to do about my bar?
Padlock it, Elmo, and reopen in three to five.
Three to five days?
Det. Baldwin Jones:
Check out Elmo; Mr. Positive Thinking.
That's three to five *years*, nitwit.
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The success of the show has been due to the writers ability to portray the characters as humans who are cops, with the whole gambit of emotion that goes with this. Viewers who wish for less 'soap' will find that they would get another sterile 'run of the mill police drama' and not the classic program format as we see today.
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