With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the ... See full summary »
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
Each week viewers see the gritty reality of life in a New York City Police unit as the officers go about their work with a grim determination. Two partners, Detectives Andy Sipowicz and John Kelley (later replaced by Bobby Simone), are the central characters in this weekly police drama, and personify very different approaches to their difficult job. Sipowicz's brash gruffness (covering an emotional vulnerability) is tempered by the precise and controlled demeanor of the two partners with whom he has worked. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The exterior of the 9th Precinct station house is used to represent the fictional 15th Precinct's station house. It is the same building used to represent the station house on Kojak (1973). See more »
[Sipowicz is supervising his first crime scene as a uniform sergeant]
Det. John Clark, Jr.:
All right, all right, step aside, homicide detectives comin' through.
[shows his shield to Sipowicz]
How long you been waitin' to say that?
Det. John Clark, Jr.:
Every day since you were promoted.
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I've almost never missed an episode of this show during it's entire run. I'm going to miss having a "normal" cop show on the air. Law and Order is too talky and the CSI procedural stuff is just too much of an okay thing. I must say that it's the tiny moments in "Blue" that have the biggest impact on me. The final picture-taking sequence in this week's episode just seemed like two actors (Franz and Clapp) really relishing the joy they've had working with one another all these years. Even though you can see where it seems to be going, I still look forward to spending time with the fictional 15th squad. Currie Graham was a great addition and some unsung players that never get press (Henry Simmons, anyone?)have just made this show so good--and so New York.
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