John Lange (Vincent D'Onofrio) becomes pinned between a subway train and the station platform. The Baltimore homicide department is called to investigate whether a crime has been committed or whether...
Former Homicide Shift Commander Al Giardello is now the leading candidate for Mayor of Baltimore. As he walks toward the platform to do a political speech, he is shot. Former and current ... See full summary »
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
A one-hour drama inspired by David Simon's acclaimed non-fiction book "Homicide: A Year on the Killing Streets." It is at once a mundane yet compelling look in and around a Homicide unit of the Baltimore Police Department, a group of determined individuals who are committed to their grim job at hand. Written by
Karina Santos <email@example.com>
The typeface used in the opening credits is Clarendon, designed by Robert Besley. See more »
In a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective. See more »
Det. Tim Bayliss:
So does the violence make them stupid or does the stupidity lead to violence?
Det. John Munch:
Well, that's chicken and egg semantics. The important point is that we win some cases because our brains are repositories for intelligence and their brains are day-old banana pudding.
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So glad, I live in a country that still offers reruns
Like everybody before me told, this is THE best police story ever made.
The photography, the personages, the direction and last but not least the music. It's the first series where I noticed that a song was completely played, while all the actors kept moving, doing what they have to do, but without dialogues. If you are a scriptwriter it's a dream when you can accomplish this. The action counts. But then, as a cherry on a pie, the dialogues are perfect too.
Too bad we get this only once a week and then at a past midnight hour.
I was very surprised to learn this series originated from a book. Got that information from this web-site. I'm still full of praise but on the go for the Amazon book store. :-)
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