The desk clerk at the New Moon Motel hears shots and calls 911. Lewis and Kellerman find the body of an ex-con wearing only one boot. The victim's classic motorcycle is missing, as is his handgun. As...
Former Homicide Shift Commander Al Giardello is now the leading candidate for Mayor of Baltimore. As he walks toward the platform to do a political speech, he is shot. Former and current ... See full summary »
The series shows the workings of the judicial system, beginning with the arraignment and continuing through the lawyers process of building a case, investigating leads and preparing witnesses and defendants for trial.
Josh and Sam are two brothers facing change, their mother is about to marry a French accountant and the kids are sent to go live with their father in Florida. Meanwhile Josh tells Sam that ... See full summary »
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
A one-hour drama inspired by David Simon's acclaimed non-fiction book "Homicide: A Year on the Killing Streets." It is at once a mundane yet compelling look in and around a Homicide unit of the Baltimore Police Department, a group of determined individuals who are committed to their grim job at hand. Written by
Karina Santos <firstname.lastname@example.org>
In 1988, a Baltimore Sun reporter named David Simon joined the Baltimore Police Homicide Unit as a civilian assistant, in order to chronicle a year in the life of a big city homicide squad. His extensive notes, interviews, and observations were eventually published as the book, "Homicide: A Year On The Killing Streets." This book served as the inspiration for the TV series Homicide: Life on the Street (1993). Much of the first and second seasons are taken from actual events recounted in the book. See more »
In a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective. See more »
Det. Frank Pembleton:
You know, every day I get out of bed and drag myself to the next cup of coffee. I take a sip and the caffeine kicks in. I can focus my eyes again. My brain starts to order the day. I'm up, I'm alive. I'm ready to rock. But the time is coming when I wake up and decide that I'm not getting out of bed. Not for coffee, or food or sex. If it comes to me, fine. If it won't, fine. No more expectations. The longer I live, the less I know. I should know more. I should know the coffee's killing me. ...
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This is a fantastic drama. It features great performances, especially by Andre Braugher, Richard Belzer, and Yaphett Kotto, and excellent writing. I started watching when they showed the sniper episodes, and have been hooked since. The show's quality dipped slightly after Braugher left, but it was still going strong.
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