John Lange (Vincent D'Onofrio) becomes pinned between a subway train and the station platform. The Baltimore homicide department is called to investigate whether a crime has been committed or whether...
A one-hour drama inspired by David Simon's acclaimed non-fiction book "Homicide: A Year on the Killing Streets." It is at once a mundane yet compelling look in and around a Homicide unit of the Baltimore Police Department, a group of determined individuals who are committed to their grim job at hand. Written by
Karina Santos <firstname.lastname@example.org>
The typeface used in the opening credits is Clarendon, designed by Robert Besley. See more »
In a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective. See more »
[looking over a dead body]
Det. John Munch:
From the tracks on his arms, large caliber wound, proximity to a heroin market... I'd say it was a heated dispute about the symbolism of red and blue in 18th-century French romantic poetry.
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So glad, I live in a country that still offers reruns
Like everybody before me told, this is THE best police story ever made.
The photography, the personages, the direction and last but not least the music. It's the first series where I noticed that a song was completely played, while all the actors kept moving, doing what they have to do, but without dialogues. If you are a scriptwriter it's a dream when you can accomplish this. The action counts. But then, as a cherry on a pie, the dialogues are perfect too.
Too bad we get this only once a week and then at a past midnight hour.
I was very surprised to learn this series originated from a book. Got that information from this web-site. I'm still full of praise but on the go for the Amazon book store. :-)
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