The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
A one-hour drama inspired by David Simon's acclaimed non-fiction book "Homicide: A Year on the Killing Streets." It is at once a mundane yet compelling look in and around a Homicide unit of the Baltimore Police Department, a group of determined individuals who are committed to their grim job at hand. Written by
Karina Santos <email@example.com>
In a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective. See more »
I'm not really a waitress. I write. One-acts.
Det. John Munch:
Hunh, one-act plays.
Read them and we'll talk about them, okay?
Det. Meldrick Lewis:
You're a writer and you had to ask me for a pen?
My life is total irony.
Det. John Munch:
All in one act, huh?
See more »
I have never been a big fan of police serials, but this is my all time favourite. I have nothing to add to the earlier comments, other than that in a time with complicated racial conflicts, poverty induced crime and the problems stemming from social inequality, this show tried to comment on the real problems facing the modern society.
And it was exciting too.
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