Poor Milton can't get any respect. He works at an evil corporation called Initech and his "office" has been shoved into the basement. He talks to the camera, picks his nose, and threatens ... See full summary »
The animated short that introduced the world to Beavis and Butt-head, the two dimwitted fifteen year-olds with the intelligence of dirt. "Frog Baseball" features the two distinguished ... See full summary »
Beavis and Butt-head's lives revolve around three simple things. (1) Barely attending school, which sucks. They do nothing, they learn squat, they know diddly, they hate the teachers - and, amazingly, they manage to avoid being thrown out. (2) Trying to score with chicks - something we know they'll never achieve. (3) Watching TV. Lots of TV. If something in the real world doesn't relate to what they know from TV, it sucks. They especially enjoy "reviewing" music videos - or just commenting inanely on them. If a video contains heavy rock, scantily-clad babes or anti-authority figures, it's cool - otherwise, it sucks. Written by
Cynan Rees <email@example.com>
The logo for Burger World, the fast food establishment at which Beavis and Butt-Head are employed, is just the McDonalds "golden arch" logo upside down. See more »
When watching a Van Halen video with Sammy Hagar singing, Beavis and Butt-Head say something like "how could they fire Van Halen from Van Halen!?" in reference to David Lee Roth's parting ways with the band. However, David Lee Roth is NOT a member of the Van Halen family (though this may have been deliberate to show their stupidity.) See more »
After the credits roll in the series finale, the following message appears: "Thank you to all the talented artists, writers and highly intelligent people who worked so hard to make Beavis and Butt-head look so dumb." See more »
The end of Beavis and Butthead was like the end of a cultural era. Grunge and those early 90 fads were dying out, to make way for the crass commercialism and ultra materialism of the youth generations that would follow, essentially helping to wipe out not only what made music culture great, but also what made MTV great. Beavis and Butthead was part of that cool past of part of a totally idiotic, carefree culture.
Beavis and Butthead, for those who too young to know about it, was an animated series created by Mike Judge, of the now popular FOX television series, King of the Hill, which is actually based on one of the characters from Beavis & Butthead (the neighbor Anderson, who was the primitive form of Hank Hill). The brief episodes, usually two packed in a half-hour, followed the mishaps of two ugly braindead teenagers. Their primary pasttimes were raising hell, making dirty jokes, and just laughing. The main characters usually included Buzz Cut, the anal muscular gym teacher; Van Dreesen, the pansy hippy teacher who's plans to get Beavis & Butthead to do something good usually backfired; their ultra-sheltered neighbor, Stuart; and the depressed, Daria (aka "Diarreha") who later developed into a spin-off series called "Daria".
Beavis & Butthead were so stupid and so clueless as to the disasters that usually went on around them, which is why the situations were so funny. You can't really expect to take a show like this seriously. It was just the stupid antics that made it great. Plus, because it was on MTV, it was a vehicle for music videos which were particularly key because they were often rare videos. And Beavis & Butthead did their MST3K-type of commentary as you watched sometimes full videos that acted as an intermission to their short episodes. All around, despite poor drawings, this show is still a classic and even created it's own subculture of marveled stupidity. But, I still enjoyed it.
And in retrospect, it's probably a lot better, considering a lot of the crap that is on television now to entertain teens--especially MTV. Even if you do get to see the reruns, they usually cut out the videos now to make way for extra commercial time (MTV sucks!). But, they did release episodes on tape. I don't know if they've made it to DVD.
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