The battle for Earth concludes as Sheridan leads his forces to Earth to confront Clark's forces in an all out battle. Meanwhile Marcus learns of the alien device Franklin used to heal Garibaldi when ...
In the year 2258, it is ten years after the Earth-Minbari War. Commander Sinclair takes command of a giant five-mile-long cylindrical space station, orbiting a planet in neutral space. At a crossroads of interstellar commerce and diplomacy, Cmdr Sinclair (2d season Captain Sheridan) must try to establish peace and prosperity between various interstellar empires, all the while fighting forces from within the Earth Alliance. It is a precarious command, particularly given that sabotage led to the destruction of Babylon stations 1, 2, and 3 and 4 vanished without trace. Written by
Tony Lammens <firstname.lastname@example.org>
In the final episode, "Sleeping in Light", there were no opening credits, just the name of the episode. The closing credits, in addition to having the normal closing credits, had the opening credits placed there as well as pictures and titles of every crew member flashed at a few frames per second (listed below): And now, for those of you that have been archiving this ISN Special Documentary, the people responsible..... Composer Special Effects Make-up Art Department Graphics and Swing Department Sound Department Camera Crew Animation and Compositing Prop Department Producers Post Production Post Sound Special Effects Make-up Sound Department Stand-Ins Production Office Grip Department Production Department Script Supervisor Accounting Department Wardrobe Department Lighting Department Casting Department Construction Department Special Effects Department Assitants to Producers Stunt Department NDEI-Office Staff Make-up Department Catering Producers See more »
Even though the final season was rather slow, and glossed over a lot of plot lines that probably would have been more interesting, it was still better than most science fiction, and any on television other than the earlier seasons. Other than the final season and scattered weak episodes, the series is the best television science fiction, and near the best dramatic television, and competes with the best movie science fiction.
The action in the series is mostly about the Shadow war, but the real key is the intrigue between the characters, and the personal growth of the characters. Londo is one of the best dramatic characters in any series. He starts as an ambitious schemer who drinks too much, but develops a conscience as he learns the consequences of his ambitions, and finally ends up as a tragic character who reached even beyond his early ambitions, but at a cost that he regrets deeply.
Maybe some day there will be a better science fiction series. But for now this is the level of story-telling television science fiction should try to reach.
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