The battle for Earth concludes as Sheridan leads his forces to Earth to confront Clark's forces in an all out battle. Meanwhile Marcus learns of the alien device Franklin used to heal Garibaldi when ...
In the year 2258, it is ten years after the Earth-Minbari War. Commander Sinclair takes command of a giant five-mile-long cylindrical space station, orbiting a planet in neutral space. At a crossroads of interstellar commerce and diplomacy, Cmdr Sinclair (2d season Captain Sheridan) must try to establish peace and prosperity between various interstellar empires, all the while fighting forces from within the Earth Alliance. It is a precarious command, particularly given that sabotage led to the destruction of Babylon stations 1, 2, and 3 and 4 vanished without trace. Written by
Tony Lammens <firstname.lastname@example.org>
Two blooper cassettes were made of various gaffes and mistakes (and traded hands as bootlegs for many years), but they were never commercially released. A short "gag reel" features on most of the season box sets, however. See more »
I believe that when we leave a place a part of it goes with us and part of us remains. Go anywhere in these halls, when it is quiet and just listen. After a while you will hear the echoes of all of our conversations, every thought and word we've exchanged. Long after we are gone, our voices will linger in these walls for as long as this place remains. But I will admit that the part of me that going will very much miss the part of you that is staying.
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The opening narration and musical theme changed with every season. See more »
Even though the final season was rather slow, and glossed over a lot of plot lines that probably would have been more interesting, it was still better than most science fiction, and any on television other than the earlier seasons. Other than the final season and scattered weak episodes, the series is the best television science fiction, and near the best dramatic television, and competes with the best movie science fiction.
The action in the series is mostly about the Shadow war, but the real key is the intrigue between the characters, and the personal growth of the characters. Londo is one of the best dramatic characters in any series. He starts as an ambitious schemer who drinks too much, but develops a conscience as he learns the consequences of his ambitions, and finally ends up as a tragic character who reached even beyond his early ambitions, but at a cost that he regrets deeply.
Maybe some day there will be a better science fiction series. But for now this is the level of story-telling television science fiction should try to reach.
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