The battle for Earth concludes as Sheridan leads his forces to Earth to confront Clark's forces in an all out battle. Meanwhile Marcus learns of the alien device Franklin used to heal Garibaldi when ...
A century before Captain Kirk's five-year mission, Jonathan Archer captains Earth ship Enterprise NX-01 during the early years of Starfleet leading up to the formation of the Federation and the Earth-Romulan War.
In the year 2258, it is ten years after the Earth-Minbari War. Commander Sinclair takes command of a giant five-mile-long cylindrical space station, orbiting a planet in neutral space. At a crossroads of interstellar commerce and diplomacy, Cmdr Sinclair (2d season Captain Sheridan) must try to establish peace and prosperity between various interstellar empires, all the while fighting forces from within the Earth Alliance. It is a precarious command, particularly given that sabotage led to the destruction of Babylon stations 1, 2, and 3 and 4 vanished without trace. Written by
Tony Lammens <email@example.com>
The closing credits for the final episode, "Sleeping In the Light", include shots of all the major characters as they are when the episode took place (20 years after the events of the series), whether or not they are present in the episode. Ranger Marcus Cole, who sacrificed his life to save Ivanova, is represented by the control and information panel on a "coldsleep" hibernaculum -- presumably where his body is being kept until he can be revived. See more »
Even though the final season was rather slow, and glossed over a lot of plot lines that probably would have been more interesting, it was still better than most science fiction, and any on television other than the earlier seasons. Other than the final season and scattered weak episodes, the series is the best television science fiction, and near the best dramatic television, and competes with the best movie science fiction.
The action in the series is mostly about the Shadow war, but the real key is the intrigue between the characters, and the personal growth of the characters. Londo is one of the best dramatic characters in any series. He starts as an ambitious schemer who drinks too much, but develops a conscience as he learns the consequences of his ambitions, and finally ends up as a tragic character who reached even beyond his early ambitions, but at a cost that he regrets deeply.
Maybe some day there will be a better science fiction series. But for now this is the level of story-telling television science fiction should try to reach.
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