The movie consist of 13 separate episodes each handling a period between 1960 and 1970. The length of these periods varies from one day to some years. It tells the story of a group of ...
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The series (11 episodes) tells the story of the village Schabbach, on the Hunsrueck in Germany through the years 1919-1982. Central person is Maria, who we see growing from a 17 year old ... See full summary »
This is not only a sequel to the "Second Heimat", but also a chronicle of a very decisive decade for Germany (1989 to 200). The main couple of the mini-series released in 1992, Hermann ... See full summary »
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie ... See full summary »
The movie consist of 13 separate episodes each handling a period between 1960 and 1970. The length of these periods varies from one day to some years. It tells the story of a group of people in Munich (mostly music and film students). Every episode focuses on a different character from the group, although the main storyline and character, the young composer Hermann, continues. The movie tells a story in many different levels about love, friendship, misfortune, loss, art, politics, history with important historic events of the decennium in the background. It was the most costly and ambitious drama production in German television, although very cinematographic. Believed to be partly autobiographic. Written by
Theo de Grood <firstname.lastname@example.org>
Seeing this film, or rather set of films, in my early teens irrevocably changed my idea of the possibilities of human interaction and the range of potential experience. This monumental exploration of individuals, and their historical setting, reveals how full bodied and intense every human existence is. The people are portrayed as they are to themselves: their experiences of the smallest to the largest internal and external phenomena are detailed with the greatest of artistry and perception. Edgar Reitz displays a fabulous appreciation of human motivations and longings.
When these phenomena are set against the immense time allowed by the length of the work, one cannot help but apprehend the force and vivacity of happiness, defeat, lust, love, sadness, melancholy, that each person feels. When I saw these films I perceived my future experiences, how my life would inevitably twist and oscillate due to both intended and accidental events. I acquired a feeling of the longevity of being and what it meant to reflect upon past lives, memories and contexts. A masterpiece and a revelation. I only wish the BBC would screen it again.
If anyone knows where I can get a copy, could they contact me
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