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Life, and Nothing More...
(1992)
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Title: Life, and Nothing More... (1992)
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Cast
| Cast overview, first billed only: | |||
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Farhad Kheradmand | ... |
Film Director
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Buba Bayour | ... |
Puya
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Hocine Rifahi |
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Ferhendeh Feydi |
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Mahrem Feydi |
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Bahrovz Aydini |
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Ziya Babai |
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Mohamed Hocinerouhi |
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Hocine Khadem |
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Maassouma Berouana |
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Mohammad Reza Parvaneh |
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Chahrbanov Chefahi |
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Youssef Branki |
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Chahine Ayzen |
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Mohamed Bezdani |
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Plot Summary
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Storyline
After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye Doust Kodjast? (1987). In their search, they found how people who had lost everything in the earthquake still have hope and try to live life to the fullest. Written by Sam Tabibia <samtab@uclink.berkeley.edu>
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Details
Country:
IranLanguage:
PersianRelease Date:
21 October 1992 (France) See more »Also Known As:
Life, and Nothing More... See more »Company Credits
Production Co:
Kanoon, The Institute for the Intellectual Development of Children & Young Adults See more »
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IMDbPro »
Whilst watching this film i was struck by how natural and simplistic the film was. A film director and his son travel through Iran after an earthquake has struck to try and see if the boy who starred in his last film is still alive. That is what the film is, observing people on the road, whose lives have been destroyed, people whose lives still go on. Kiarostami presents life in such a naturalistic way that we are sitting in the back seat of the car taking the journey as well. That is the perfection of the this film, the real life, the carnage of life, the people striving for life, all add up to one up-lifting experience. Like Rossellini with a uplifting finale, and minus the melodrama. Kiarostami seeks to capture reality on film in a similar way as the Neo-realists, through humanity and observation, but while the Neo-realists films can be seen as natural, Kiarostami reinvents naturalism as if nature had shot the film itself. Yet another piece of perfection from Kiarostami, not to be missed.