7.9/10
2,256
11 user 14 critic

Life, and Nothing More... (1992)

Zendegi va digar hich (original title)
After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye ... See full summary »

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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Farhad Kheradmand ...
Film Director
Buba Bayour ...
Puya
Hocine Rifahi
Ferhendeh Feydi
Mahrem Feydi
Bahrovz Aydini
Ziya Babai
Mohamed Hocinerouhi
Hocine Khadem
Maassouma Berouana
Mohammad Reza Parvaneh
Chahrbanov Chefahi
Youssef Branki
Chahine Ayzen
Mohamed Bezdani
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Storyline

After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye Doust Kodjast? (1987). In their search, they found how people who had lost everything in the earthquake still have hope and try to live life to the fullest. Written by Sam Tabibia <samtab@uclink.berkeley.edu>

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Plot Keywords:

earthquake | iran | disaster | sequel | See All (4) »

Genres:

Adventure | Drama

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Details

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Release Date:

21 October 1992 (France)  »

Also Known As:

Life, and Nothing More...  »

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Aspect Ratio:

1.66 : 1
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Referenced in Brows Held High: This Is Not a Film (2014) See more »

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User Reviews

 
Compelling pseudo documentary from Iran
18 April 2014 | by (Buenos Aires, Argentina) – See all my reviews

In Abbas Kiraostami's acclaimed pseudo documentary, an unnamed director (Ferhad Khermanend, playing an alter ego of Kiarostami) and his young son to return to Koker, the setting of his great film "Where is the Friends Home", in the wake of the devastating 1990 earthquake that hit northern Iran. The movie is ostensibly about the search for the two boys who starred in the earlier film but it turns into a kind of fictional documentary about the strength of the human spirit in the face of disaster. the camera simply watching out the car window for much of the film, taking in the landscape, the ruins of mud houses, and the streams of homeless people hauling food and equipment to makeshift shelters. The villagers are fatalistic, believing that the earthquake was God's will, but the rebirth of the human spirit is symbolized by the fact that most people seem interested in watching the Italia 90 World Cup matches, despite their terrible tragedy they have gone through (many have lost their homes and family members). In a director with less sensibility, a movie like this would seem the shameless exploitation of a tragedy. The movie is not quite entertaining but it is compelling. The filming of this movie would itself be fictionalized by Kiarostami in Through the Olive Trees.


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