Childhood friends became enemies when one Mahendra Ashwini Kumar grows up to be Additional Police Commissioner and the other Raj Pratap Singhal becomes a smuggler. Mahendra have two sons ... See full summary »

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Cast

Cast overview, first billed only:
...
Rajesh Ashwini Kumar
...
Vishal Singhal
...
Raj Pratap Singhal (as Kabeer Bedi)
...
Meghna Kumar
...
Anu Singhal (Vishal's wife)
...
Mahendra Ashwini Kumar
Vicky Arora ...
Vicky Malhotra / Singhal
...
Jaichand (as Bishwajeet Pradhan)
...
Sunita (Deepak's wife)
Manjeet Kullar ...
(as Manjit Kular)
Maya Alagh ...
Bharati Singhal (as Maya Alag)
...
Kaushalya Kumar
Mohan Bhandari ...
Police Insp. Deepak
Sunil Ranade
Deep Dhillon
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Storyline

Childhood friends became enemies when one Mahendra Ashwini Kumar grows up to be Additional Police Commissioner and the other Raj Pratap Singhal becomes a smuggler. Mahendra have two sons who are also police officers namely Rajesh and Brajesh while on the other hand Singhal is also christened with two sons Vishal who helps develop his dad's business and Vicky who takes up employment in a garage. When Brajesh is killed by one of Mahendra's henchman; Rajesh swears to avenge the death of his brother even if having to take the law into his own hands. After Brajesh's death he leaves behind his widowed wife, Kaushalya and a young daughter, Meghna. On a chance encounter with both Meghna and Vicky both fall in love and the Kumars approve of Vicky as there future son in law unaware of his family background. And then Mahendra is given the post as police Commissioner; unable to bear this Singhal sets up another of his henchman to have Mahendra killed. To escape from the police and public ... Written by gavin (racktoo@hotmail.com)

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6 October 1992 (India)  »

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The song "Koi Pichle Janam Ke Aache Karam" was later recreated and turned into a bhajan by Sadhvi Poornima. See more »

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An underrated Firoz Khan classic
30 January 2016 | by (India) – See all my reviews

An underrated Firoz Khan classic, Yalgaar takes inter-family animosity to a whole new level. Amidst a gamut of memorable performances, it is Sanjay Dutt's portrayal that packs the strongest punch. During the early '90s, Dutt was in his prime and it shows. Riding high on the success of Saajan and Sadak, he barely misses a note in a performance that is as physical (with martial arts moves a la Bruce Lee) as it is tender.

Along with its central theme of revenge, Yalgaar also touches upon the ideals of duty and love. It also succeeds in highlighting the tenderness and pain that is universally associated with the relationship between a father and a son. The action and dance sequences in the movie serve as major trendsetters for Hindi cinema. While Firoz Khan's direction is superb, some casting choices seem a bit incongruous: i) him playing Mukesh Khanna's son despite the noticeable age difference with Khanna being 20 years younger, and ii) Vicky Arora in the role of Vicky Singhaal's as the part was quite meaty and certainly deserved a better actor.

Kabir Bedi was born to play roles like Raj Pratap Singhal--an international smuggler and a mafia kingpin. There are few actors alive who can match his screen presence. The scenes which Bedi shares with Dutt are solid as a rock. Despite looking a bit old for his part, Firoz Khan brings a lot of intensity to the movie with his performance of a tough albeit emotional cop. One is reminded of earlier films like Dharmatma and Qurbani. He too shares some very high intensity scenes with Dutt. A young Manisha Koirala (although she merely appears to be reprising her role from Saudagar) is charming to watch, especially during the movie's highly memorable dance sequences (she brings the best of Madhuri Dixit and Sridevi) she shares with Vicky Arora who certainly seemed a better dancer than an actor. Yalgaar is a must watch for lovers of Hindi cinema!

For more on the world of cinema, please visit my film blog "A Potpourri of Vestiges".


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