Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Wayne is still living at home. He has a world class collection of name tags from jobs he's tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth's Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail. Written by
John Vogel <email@example.com>
Although Wayne and Garth live in Aurora, Illinois, a western suburb approximately 35 miles west of Chicago, not a single frame of the movie was shot there. There also happens to be an Aurora Colorado. Nothing was shot there either though.Mike Myers said that he had never been to Aurora, but "liked the sound of the word." After some research, he also thought Aurora's demographics were similar to his hometown of Scarborough, Ontario. See more »
Piece of stringy licorice that Garth pulls out in car. See more »
[in bed, flipping through tv commercials]
It's really good seeing you, Benjamin. You haven't been into Shakey's for so long.
Well, I've been real busy.
See more »
[Fade in to Wayne and Garth on their couch looking at magazines] Garth: "You know, I don't think anyone's going to tell us when to leave." Wayne: "Yeah, good call Garth. Uh, I bet we're just going to sit here and when they're finished they'll fade to black." [Fade to black] Garth: "I can't believe they did that." Wayne: "I told ya." See more »
The cultural references of Wayne's World may date it a bit, but the nature and personality of its humor set it apart. There is a kind of naive benevolence and boundless joy which makes this movie so lovable. Its aimless plot and exaggerated humor are cute, without ever transcending that barrier into maudlin sentiment. This is a difficult mix to achieve, especially when so many comedians go out of their way to achieve "street credibility" through as much forced vulgarity and stereotypical humor as possible. Campbell and Carvey's characters were the ultimate comedic anti-heroes for generation X, even more so than Jay and Silent Bob, Bill and Ted, or Beavis and Butthead. They championed amateurism, paraded self-affecting humor, and became worshiped for telling everyone they weren't worthy. If '60s pop culture encouraged people to "do your own thing," Wayne and Garth were the genuine article in the '90s. Two complete geeks had fun acting as themselves, and became celebrated in the process. One of the true comedy classics of our time. 8.5/10
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