The Rocker tells the story of a failed drummer who is given a second chance at fame. Robert "Fish" Fishman is the extremely dedicated and astoundingly passionate drummer for the eighties ... See full summary »
Wayne is still living at home. He has a world class collection of name tags from jobs he's tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth's Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail. Written by
John Vogel <firstname.lastname@example.org>
Alan and Neil both appear in plenty of scenes during the course of the movie, but never actually have their names spoken or referred to at any point within the film. See more »
The show Benjamin watches at the beginning of the movie and the tape (of the same episode) that he shows Van Der Hoff, are different. The second time it is seen, Wayne pauses and stutters on words he didn't the first time. See more »
[in bed, flipping through tv commercials]
It's really good seeing you, Benjamin. You haven't been into Shakey's for so long.
Well, I've been real busy.
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Wayne: "Right, excellent movie. All right!" Garth: "Good one!" [Fade in to Wayne and Garth on their basement couch] Wayne: "All right. Well that's all the time we have for our movie. We hope you found it entertaining, whimsical and yet relevant, with an underlined revisionist conceit that belie the film's emotional attachments to the subject matter." Garth: "I just hope you didn't think it sucked!" Wayne: "Okay, so thank you for coming. Good night and party on!" Garth: "Party on, Wayne!" Wayne: "Party on, Garth!" [Fade to black] See more »
While Mike Myers may be better known for Austin Powers and Shrek, 'Wayne's World' was the film that really brought his comedic genius to the mainstream public. Originally a Saturday Night Live sketch about Wayne (Myers) and Garth (the underrated Dana Carvey) about two friends who start a public access cable TV show in their basement, it's one of the best (if not the best) SNL-to-film adaptations ever.
While the plot is fairly simple, where WW really shines is its clever humour. It highlights and subverts the rules of film narrative, something Myers carried over into Austin Powers, a trait which is lacking in the more predictable comedies of today (especially the awful "parody" films). Wayne and Garth talk directly to camera (which only they are allowed to do), there's blatant product placement, pop culture parodies, guest appearances, the famous Bohemian Rhapsody headbanging scene and funny alternate endings. Top that off with the slew of silly jokes and endlessly quotable lines (including one of the first uses of the phrase "that's what she said"), and you have a film which even nearly twenty years later still strikes a chord with viewers, regardless of their age. Even towards the end, when the need to wrap up the story cleanly can ruin many comedies, 'Wayne's World' still retains its sense of humour, a prime example being Wayne's "Oscar winning" speech to win back Cassandra (Tia Carrere).
If you feel like a laugh or want to relive some memories, then you could do far worse than check out 'Wayne's World'. Excellent.
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