A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist, while both sides attempt to find balance between their personal lives with their professional lives.
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth. Written by
In the early 1980s, Francis Ford Coppola got ahold of the script, and met with John Malkovich to offer him the role of William Munny. Malkovich recalled: "The offer was not very serious - thank God! I say that for myself and the poor public, and for Clint - absolutely! I would have been a total, total failure. Total! Who would've wanted to see that? I wouldn't! I would've just been acting-schmatching. There are some things you can only have with a kind of mythic figure which Clint is." See more »
In the shot following W.W. Beauchamp's leak the planks are dry again with no puddle to be seen. See more »
I enjoy the transformation of Clint Eastwood's character throughout the movie. In the beginning he reluctantly becomes a gunfighter but as the movie progresses you see how he slides down the slippery slope of wickedness to become the cold-blooded killer needed for the task. Morgan Freeman's reaction to the transformation is well played also. Richard Harris' character is colorful as is his sidekick. Gene Hackman's sheriff is pleasantly atypical of the role. All these actors and their characters effectively leave the viewer with a myriad of directions from which the movie expertly entertains. If you are expecting anything like Clint's "spaghetti westerns" you will be disappointed. If you are looking for an excellent story with characters that all have varying degrees of wickedness, you will be satisfied when its all said and done.
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