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This is one of those decent crime movies that few people have heard
about. It has a lot going for it. I should rate it higher since the
story kept my interest all the way both times I saw it (four years
apart). The violence and profanity are not overdone, the main
characters are very interesting and the story finishes with a unique
twist.
Actually, that twist is something you have to ponder to determine
whether it makes sense. I am not sure it did. You'd have to watch this
again soon and check on a few things. It's either very clever or its
totally unfair to the viewer, which is why I kept it at an '8."
It's nicely photographed and I bet it looks much better on a widescreen
DVD than on the tape I viewed it on in the '90s. Liam Neeson and Laura
San Giacomo star. I was familiar with the latter from the film,
"Quigley Down Under." She's much more appealing in that film than this
one. Neeson is almost always interesting to watch.
i want to give a STRONG plug for this very fine film that has received almost no acclaim. if you enjoy cinematic plot twists and suspense, sexuality and greed, but not blood and guts, this is a film you should see. when i say it keeps you guessing up till the last minute, i mean just that. art, money, sex, mistresses, wives, good cops, bad cops, murder! got it all-give it a try.
Liam Neeson is "Under Suspicion" for murdering his wife and a client in
this 1991 little known film also starring Laura San Giacomo. This is
one of those films one rents and all too rarely realizes that they have
found an unsung treasure.
Set in England in 1959-60, Neeson plays an police officer, Tony Aaron.
While on assignment with his partner Frank guarding the home of a
wealthy man who is out of town, Tony takes time out to have a dalliance
with the owner's wife. In the fray that erupts when he's nearly caught
by her husband, another officer is killed. Tony is pressured to resign
and when he leaves, he only has one friend left - his partner Frank.
Tony becomes a low-life private detective who helps clients fake
adultery in order to have grounds for divorce. To do this, Tony uses
his own wife, Hazel, the woman of the above dalliance, as the "other
woman." One night, he does the usual thing of entering the hotel room
with a camera and surprising the client and Hazel in bed when he
discovers that both have been brutally murdered. He immediately becomes
a suspect, though he trails along with his ex-partner during the
investigation and discovers some other suspects - not only who had a
reason to knock off the artist, but who had plenty of reason to frame
Tony for the crime.
This is a very well produced and directed film with brilliant
construction. The detail in evoking the atmosphere of the late '50s is
wonderful, and if there were ever a film that deserved a "best
costumes" nomination for an Oscar, this is it.
The acting is all around very good, with a good deal of the film's
budget going to Liam Neeson, who back then was a prolific actor two
years from superstardom. Neeson is terrific as a loser who has made one
mistake after another so that a noose around his neck seems
appropriate. Yet there's something likable about him, and earnest, too,
so that the audience feels that though he may not have been able to
keep his pants zipped, at heart he's not a bad guy. Laura San Giacomo,
who has enjoyed an okay film career but is now best known for her work
in the TV series "Just Shoot Me" is very effective as the mysterious
mistress whom Tony suspects may have had something to do with her
boyfriend's murder. Kenneth Cranham, a very familiar face in British
productions, is excellent as Tony's loyal ex-partner, who risks his own
job protecting his friend. An absolutely gorgeous woman, Alphonsia
Emmanuel, plays Stasio's wife and does a good job in a role that, were
she not so beautiful, would probably not have been noticed.
Any film that has me yelling out loud at the screen at 3 a.m. is a good
movie in my book. That's the level of suspense that "Under Suspicion"
has - if you have a weak heart, take medication first. It's absolutely
thrilling.
This is the best erotic thriller ever! (Although I have to warn you, don't
expect too many sex scenes here- it definitely is an erotic thriller, but
that's more to do with the story, atmosphere and tension between the main
characters.)
A dark, gritty British thriller full of suspense, it's miles away from the
rubbish like 'Basic Instinct' etc. Here you have a convincing story,
three-dimensional characters whose motivations are believable, and it plays
with film noir conventions and viewers' expectations -managing to pull the
MOST UNEXPECTED PLOT TWIST EVER in the end! I was fooled, as I'm sure
everyone who's ever watched it!
And also when you watch it again, knowing what actually happened, you can
see that everything makes sense, there are no plot holes here. It's a very
good story about ambition, betrayal and love.
I just want to add- Simon Moore (who also wrote '10th Kingdom') is a
genius!!
A bit of a confusing start of this perfect whodunit is the only bad thing
about this film.
To start with the script, it´s brilliant. It is credible, well written,has
clues that makes it worth watching over and over again (even without the
surprises that you encounter the first time you watch it). I like the fact
that this is not a Hollywood production. I seriously do not think that
this
script would have made it to production without some changes if it was
made
in hollywood.
Then the acting.
Liam Neeson puts on a splendid performance, complex acting with certain
subtle things that I did not notice the first viewing, which made sense
while watching it again. His best film IMO (knowing that a lot of people
thinks that "Schindler´s list" is better). I do not recognize the rest of
the actors, but no one did bad.
Grade: 9 out of 10
So if you like suspense whodunit, this is a must see.
*** This review may contain spoilers ***
Since this movie is a crime thriller, I don't want to spoil your fun by
revealing any facts.
I think Liam Neeson is very charismatic actor and he's done some great
movies and I'd like to consider this to be well made
and acted as well. Sometimes Neeson just ends up in the wrong movies. Dark
Man for instance would've been terrible if it hadn't been saved by
Neeson's
melancholic and anguished performance. But this film is not a failure. In
the movies he so commonly portrays a man who's weak and strong. Good and
bad. It's somehow so human. You can feel that same thing in this
particular
movie too.
English atmosphere always makes films look more intelligent if compared
to
those made in Hollywood. ;) Maybe it's largely due to a fact that what
foreign films lack in production costs they gain in realism. And realism
is
always a good thing.
I must confess that at least I got thoroughly fooled by this movie. I
didn't realize the plot until it was revealed to me because not in any
point
of the film I ever even considered that as a one possible scenario. Man, I
felt dumb but in some way I also felt betrayed since I genuinely felt
sympathy for the wrong person. I just kept on waiting for the bad guy to
show up when it had been there all along. ;)
Check this out. I found it very clever and full of good
actors.
I don't know if this story really belongs on the big screen. It would have
been fine as an HBO special or something. However, the performers are
better than one would expect in such a venue.
Liam Neeson is so likable, a tall hulking actor, he seems to loom over
whatever scene he appears in. And what a face! His skull seems to have no
glabella whatever, his nose droops down out of the middle of his forehead,
and yet he's handsome too, in a plain, masculine way, kind of like Spencer
Tracy -- no glamor boy, but easy to look at. His voice too is appealing,
with its Irish grace notes. And he can act too! Unlike so many brutishly
big action stars, this guy can project a smelly sweaty fear, and do it
without seeming ridiculous or seeming any weaker than the rest of us would
be.
Laura San Giacomo is an apt mismatch for Neeson. Here, in this tale set in
1959, her face is wide and her expressive eyes long and thin. She wears so
much makeup she's funereally pale and her Chinese red lip rouge suggests a
figure from a Dracula movie. She's tiny standing next to Neeson. His
presence makes her look even more elfin, as if he could crunch one of her
long bones in his fist. She has a smooth and seductive voice that doesn't
sound quite believable. It's hard to forget she's acting. But it doesn't
detract from her attractivness. She seems never to have found her proper
niche in films; neither, for that matter, has Neeson. They both deserve
better than they've gotten, with some exceptions.
The plot is about a couple of murders, a near hanging, a strained
friendship, a love affair or two, shots ring out, you're not supposed to
carry an unlicensed gun in Britain, can I really trust him/her?, and all
together has more twists to it than a corkscrew. Towards the end there is
an execution scene that is very crudely done but intensely gripping all the
same. (The crosscuts are dizzying.)
I won't give away the ending. Ordinarily the resolution of the plot isn't
really as important as what's led up to it, but in this case the end is the
best part of the film, or at least the most surprising.
Watching this movie wasn't a waste of time. But, Great Merciful Heavens,
I'll never go to Brighton on holiday.
Very well acted and filmed this clever, agile suspense thriller won't let you down because of the reason that the intrigue will not allow to switch off your video of DVD player. The place: England, late 50's. The topic: laws of divorce. Adultery. Just take a photograph for evidence. This was forged in order to oblige the spouse to divorce. You only have to find the lover. Tony Aaron (Neeson) was the man who used his wife to simulate adultery. But she will die with a powerful man. The man's misterious lover (Laura San Giacomo) gets in between the case. A battle will start for Aaron to prove that his innocence. Suspense till the end. I rate this movie 9 out 10. Andres.
one of the finest in it's genre - the script, the concept, the direction, the acting, the suspense - just great. Highly recommended and turn off the phone, sit back and enjoy it all. And then after you have digested it all, you'll want to make another bowl of popcorn and watch it all over again, just to see what you missed.
This neo-noir is definitely worthwhile. I could see no plot holes and I
think it will stand up under repeated viewings. Liam Neeson does a
superb job that few other actors could handle for this particular role
and story. The plot and the characters in the story mesh quite well.
There is a little bit of "time limit" suspense toward the end that
doesn't feel altogether right, but extremely few movies are without
defects. Otherwise, the entire effort is handled very capably.
Production values are very good.
I read no reviews before seeing the movie, other than a few words
saying that it was a noir and underrated, both of which it is. That's
the best way of seeing it, without knowing anything about it, and so I
am saying the minimum. I view it as a suspenseful mystery-crime noir
with procedural detective elements. It is not a thriller.
If you get a chance, check it out.
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