Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he ... See full summary »
Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad ... See full summary »
Chicago DEA agent John Hatcher has just returned from Colombia, where his partner was killed in the line of duty by a drug dealer who has since been taken down. As a result of his partner's... See full summary »
Dwight H. Little
Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
The battleship Missouri is about to be decomissioned. Casey Ryback is Captain Adam's personal cook. And Ryback is always butting heads with the ship's XO Commander Krill but the Captain always intercedes. One day, after the President visits the Missouri, which is also the Captain's birthday, the Captain learns that a helicopter has been cleared to land on the ship by Commander Krill, which he was not informed of. When questioned Krill tells the Captain that it's a surprise for his birthday, the Captain then allows it. Later after another one of their scuffles, Krill has Ryback locked in the freezer. During the party, the rock band reveals themselves to be mercenaries, led by William Stranix, a CIA operative, who is in league with Krill to unload all of the ship's nuclear warheads. They lock up all of the crew and make preparations to remove the warheads. And Krill remembers Ryback, Stranix sends two of his men to take care of Ryback, only thing is that Ryback took care of them. Upon ... Written by
Andrew Davis was reunited with Steven Seagal for this film. Davis had directed Seagal's debut film Above the Law (1988). In many interviews, Davis has stated that Seagal was much more of a pussycat when he first met him years earlier, but was much more savvy and skilled in the ways of Hollywood when they met up on this picture. See more »
During the shootout that takes place while Ryback and his companions are freeing the drowning sailors, a terrorist with a thick brown mustache is killed 3 different times. He is the terrorist that is shot and does a backward roll down the stairs. See more »
[on the phone]
Listen, Francois, put the money in the bank in Zurich by midnight or nothing's gonna happen.
[He holds the phone away from his ear as Francois curses explosively]
[aside to Doumer]
Call Chicago, sell everything we got in MacGregor Aircraft, that stock is gonna go to shit when they find out what's going on out here.
Two choppers, think they can sneak in under our radar.
'Course we drive a hard bargain, Francois, you're gonna get a hard value... listen, mon ...
[...] See more »
At the close of the credits: USS Missouri BB63 was decommissioned March 31, 1992 and is now moored at Bremerton Naval Yard, awaiting her next call to service. See more »
I gave this movie a solid ten, and I stick with it. I'm not in particular a fan of Steven Seagal, though I don't arbitrarily hate him like many critics do. In fact, this was the first of his movies I'd seen, and I liked it immediately.
For any people expecting this movie to deviate from the usual formula of (1): Seagal is wronged, (2): Seagal becomes killing machine, you'll be disappointed. Almost everything in this movie is to be expected, as Seagal plays his usual tough but lovable good guy who gets pushed just a bit too far and goes into full-on expert martial arts killer to enact revenge. A dozen or so people will die, as many or more limbs will be broken, and Seagal will do it all with as much emotion as a stick. To those expecting more of Seagal's usual stuff, that's what you'll get.
But in my opinion, what we also get are some inexplicably high level bad guys for this outing. Although about a decade or two behind today's times (keeping in mind the film itself is a decade and a half old), the two antagonists are the well known actors Tommy Lee Jones and Gary Busey. While getting on in their age nowadays, these two were some of the most crazed and entertaining actors of the 70s and 80s. Jones is probably best known from The Fugitive, for which he won an academy award, while Gary Busey has done a boatload of famous, not-so famous, and video game voiceover work. Together, these veterans almost steal the show as they chew the scenery and provide Seagal's most colorful and charismatic characters. Busey is a former ship's commander who's willing to drown his crew simply to taunt Seagal, whereas Jones' character used to send body parts to his ex-bosses at the CIA before turning up here.
The plot of this movie is that the two aforementioned crazies, with an entire crew of inside tech guys and hired muscle, have overtaken the aircraft carrier USS Missouri, with plans to extort various things from the big guys in Washington with the ship's small but capable arsenal of weapons at their disposal. The catch is that a high-ranking ex-navy seal is on the ship, serving a commuted sentence for misbehavior. Stuck here as the ship's cook, Seagal plays Casey Ryback who must do whatever he can to rally the ship back into responsible hands.
Strangely enough, the movie departs in several ways from the regular formula. The aforementioned bad guys are not only one head honcho but two equally ambitious ones, as well as a capable force of a dozen or so armed men. But where one would expect Seagal to be alone, this time the film adds at least a little credibility to the mix: Seagal still raises hell, but he also has to get the help of several others stowed on the ship if he's to have any chance in operating its guns and other functions. In a film rooted in implausability, it's at least nice to see old Steve actually running around with some admitted help.
The pace is interesting, as the early scenes in the movie set up some beautiful shots of the ship as well as some of its intricate interiors and set pieces. Some characters are the token one-line kills, but then there are some side characters who are given their own personality and a scene or two to take advantage of. Many characters from the aforementioned Fugitive (1993) make returns in this movie, as well as a decent character played by Colm Meaney, who was Miles 'O Brien to Star Trek fans.
Probably the only annoying bit of this movie is the female lead, played by Playboy model Erika Eleniak. She does a serviceable job, shows her breasts for a minute like she's expected to, and sometimes comes across as a believable person. But for the most part, she's there to lend support to Seagal, and add a little comic repartee between them. I didn't really mind her until she had a silly turn as hero(ine) for a minute or two.
But that's a minor quibble, in a film that I still love as being Seagal's most tight, interesting and energetic. It somehow seems more well written or polished than all his other efforts, and this is no doubt aided by the considerable time that is spent establishing the villains, who I've already noted as being the best Seagal's had to tackle. The sequel to this one was quite a letdown but still fun on its own, but in my opinion the original is Seagal's best and a great choice for those looking for some good old fashioned action heroics
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