Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
The battleship Missouri is about to be decomissioned. Casey Ryback is Captain Adam's personal cook. And Ryback is always butting heads with the ship's XO Commander Krill but the Captain always intercedes. One day, after the President visits the Missouri, which is also the Captain's birthday, the Captain learns that a helicopter has been cleared to land on the ship by Commander Krill, which he was not informed of. When questioned Krill tells the Captain that it's a surprise for his birthday, the Captain then allows it. Later after another one of their scuffles, Krill has Ryback locked in the freezer. During the party, the rock band reveals themselves to be mercenaries, led by William Stranix, a CIA operative, who is in league with Krill to unload all of the ship's nuclear warheads. They lock up all of the crew and make preparations to remove the warheads. And Krill remembers Ryback, Stranix sends two of his men to take care of Ryback, only thing is that Ryback took care of them. Upon ... Written by
Ryback's throwing knife was designed by famed custom knifemaker Gil Hibben. See more »
Through the first part of the movie, the 16-inch guns always have tompions in them, but when Ryback and his men are ready to fire on the submarine, they've been removed and the guns are ready to fire. See more »
What made you flip like this?
I got tired of coming up with last-minute desperate solutions to impossible problems created by other fucking people.
All of your ridiculous pitiful antics aren't gonna change a thing. You and me, we're *puppets* in the same sick game. We serve the same master, and he's a lunatic and he's ungrateful. But there's nothing we can do about it. You and me, we're the same.
Oh, no. No. No. No. There's a difference, my man. You have faith. I don't!
[...] See more »
At the close of the credits: USS Missouri BB63 was decommissioned March 31, 1992 and is now moored at Bremerton Naval Yard, awaiting her next call to service. See more »
Not great but an enjoyable action movie that is probably one of Seagal's most successful films
On board the Navy battleship USS Missouri, a group of terrorists use the rouse of a surprise party for the Captain as an opportunity to take control and start to load up the weapons specifically tomahawks with nuclear tips. Lead by a bitter rouge CIA agent William Stranix, the group put their plan into action while the military struggles to formulate a fast response. Meanwhile, lowly cook Casey Ryback is locked in the meat locker for disobeying an order by the Commander but manages to get out and have the run of the ship. Luckily for him, but unluckily for the terrorists, Ryback also happens to be a trained Navy SEAL, working as a cook to serve out his time, and he doesn't like his cooking being interrupted by anyone.
In the wake of Die Hard we were treated (and still are treated) to lots of reruns of the "one man against terrorists" scenario and this film was one of the better ones, also providing Steven Seagal with arguably his best film to date. Of course this is not too much of a recommendation given the poor standard of Seagal films and this derivative genre. However, for what it is, it moves pretty slickly and provides lots of men shooting and things going "boom" which, lets be honest, is all we're really here for. The plot can't compare to Die Hard because it doesn't share the link of the "common man" being the hero (if you can call John McClane a common man); instead Ryback is a trained killer and the plot quickly loses any vague touch with reality as his fight becomes more and more extreme. The action is still enjoyable though and, while it isn't a classic in the realms of Die Hard, it is still an enjoyable action film in an overdone genre.
In terms of acting, nobody could accuse Seagal of being "good" but at least here he was at the "height" of his powers in a vehicle that suited him but also had a budget and style to work as a mainstream product. His lack of emotional range shows as he kneels over the body of his dead captain and looks like a man who has just missed his bus annoyed but not THAT annoyed. However what he does do well is move and shoot both skills the film has lots of for him to do and physically he is impressive. Eleniak should serve as a warning of the fleeting nature of a-list stardom for those that rely on looks alone. At the time she was the face (?) of Baywatch and on many people's bedroom walls and she plays an "actress" who is using her breasts to make a living amazingly she plays it without a hint of irony. Looking back her dated haircut is hilarious and the fact that her breasts are the only thing that I can remember of her entire career to date is quite depressing. Jones and Busey can do crazy bad guys better than many people and they do it well here especially Jones, who appears to be enjoying himself immensely.
Overall this is an enjoyable action film as long as you know what you are getting into it is not great but it is certainly one of the more enjoyable Seagal films and does manage to be a good entry in the genre and it was no surprise to me that Seagal came back for me in a less successful but equally as silly and enjoyable sequel.
23 of 28 people found this review helpful.
Was this review helpful to you?