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The Tune (1992)

7.3
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Ratings: 7.3/10 from 498 users  
Reviews: 14 user | 15 critic

Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might ... See full summary »

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Title: The Tune (1992)

The Tune (1992) on IMDb 7.3/10

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Cast

Cast overview:
Daniel Neiden ...
Del (voice)
Maureen McElheron ...
Didi (voice)
Marty Nelson ...
Mayor / Mr. Mega / Mrs. Mega (voice)
Emily Bindiger ...
Dot (voice)
...
Wiseone / Surfer / Tango Dancer / Note (voice)
Jimmy Ceribello ...
Cabbie (voice)
Ned Reynolds ...
Houndog (voice)
...
Bellhop (voice) (as Jeff Knight)
Jennifer Senko ...
Surfer / Note (voice)
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Storyline

Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart. Written by Thomas Pluck <stripey@winternet.com>

Plot Summary | Add Synopsis


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Not Rated | See all certifications »
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Release Date:

4 December 2002 (France)  »

Also Known As:

A Melodia de Plympton  »

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Did You Know?

Quotes

Mayor: Perspective is a myth.
See more »

Connections

Features Push Comes to Shove (1991) See more »

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User Reviews

 
A Must for Bill Plympton Fans
14 October 2014 | by (United States) – See all my reviews

Whether or not you're going to get enjoyment out of this film really comes down to whether or not you know who Bill Plympton is. If you're familiar with the unique animator and some of his other films or (more likely) his shorts and you know you like his stuff then this is going to be a fun diversion for you. However if you've never heard of the guy, this is probably just going to be too difficult to get in step with.

The "plot" is really just the excuse that strings the songs and segments together. A song writer is desperately trying to finish off what he hopes will be his big breakout hit, but he only has 47 minutes to finish and get to the meeting with his boss. On the way he goes on several musical diversions to odd places that may in fact be outside reality as we know it. There isn't that much explanation put into things, as with much of Plympton's work things get weird just because that's the visual language the guy speaks in.

If you know Plympton at all then you should know better than to be watching this movie for the "story." Really it's just a framing device as the film flits from one musical set piece to the other. There's not much in the way of character depth or growth, but that's not why we're here. Plympton's visual inventiveness and sense of humor is the reason to watch this. He has a visual wit that makes sense when you see it, even though it's almost impossible to try and describe to someone.

As mentioned this is probably not the best place to start with the man's work if you're new to Plympton. It's better to start with his shorts and get a feel for the guy before trying to take in the longer form stuff. He would refine his ability to tell what could be considered a cohesive story with his later films like "I Married a Strange Person" and "Mutant Aliens." But one sees the first buds of those later films being planted here and it's an interesting first step. A must see for completionist fans of the animator, but it's hard to recommend to more casual viewers.


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