| Photos (see all 4 | slideshow) |
| Bin Chao | ... | Waiter Wong | |
| Victor Chan | ... | Gangster | |
| Lester Chit-Man Chan | ... | Chef Tsien | |
| Fanny De Luz | ... | Linda | |
| Audrey Haight | ... | Anchorwoman | |
| Jackson King | ... | Gangster | |
| Eugene Lau | ... | Gangster | |
| Bar-Chya Lee | ... | Waiter Lee | |
| Haan Lee | ... | Jeremy Chu | |
| Peter Lee | ... | Waiter Wu | |
| Yin Liang | ... | Chef Chang | |
| Richard Light | ... | Gangster | |
| Bill Lin | ... | Gangster | |
| Emily Yi-Ming Liu | ... | Yi Ci | |
| Jeanne Kuo Chang | ... | New Cooking Teacher | |
| Pauline Liu | ... | News Reporter | |
| James Lou | ... | Mr. Chao | |
| Sihung Lung | ... | Mr. Chu | |
| Deb Snyder | ... | Martha Chu | |
| Hung Chang Wang | ... | Boss Huang | |
| Lai Wang | ... | Mrs. Chen | |
| Bo Z. Wang | ... | Alex Chu | |
| Pamela Yang | ... | Yi Yi | |
| rest of cast listed alphabetically: | |||
| Emily Liu | ... | Yi Ci (uncredited) | |
Directed by | |||
| Ang Lee | |||
Writing credits(in alphabetical order) | ||
| Ang Lee | writer | |
| James Schamus | writer | |
Produced by | |||
| Ted Hope | .... | producer | |
| Ang Lee | .... | producer | |
| Emily Liu | .... | producer | |
| Emily Yi-Ming Liu | .... | producer | |
| James Schamus | .... | producer | |
Original Music by | |||
| Xiao-Song Qu | |||
Cinematography by | |||
| Jong Lin | |||
Film Editing by | |||
| Tim Squyres | |||
Casting by | |||
| Harriet Bass | |||
| Jeff Berman | |||
| Wendy Ettinger | |||
Production Design by | |||
| Scott Bradley | |||
Art Direction by | |||
| Michael Shaw | |||
Costume Design by | |||
| Elizabeth Jenyon | |||
Makeup Department | |||
| Lauren Matonis | .... | makeup artist | |
| Josh Turi | .... | special makeup effects artist | |
Production Management | |||
| Sam Sarowitz | .... | production manager | |
Art Department | |||
| Annie Ballard | .... | set dresser | |
| Tom Jarmusch | .... | property master | |
Sound Department | |||
| Tom Paul | .... | sound mixer | |
| Jeff Pullman | .... | sound recordist | |
| Reilly Steele | .... | sound re-recording mixer | |
Special Effects by | |||
| Arthur M. Jolly | .... | special effects fabricator (as Arthur Jolly) | |
| Pericles Lewnes | .... | special effects coordinator | |
Stunts | |||
| Douglas Crosby | .... | stunt rigger (as Doug Crosby) | |
| Joe Fitos | .... | stunt rigger | |
| Arthur M. Jolly | .... | stunt rigging | |
| Ray Micuta | .... | stunt rigger | |
| Phil Neilson | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Niels Alpert | .... | best boy electric | |
| John Billeci | .... | best boy electric | |
| Lisa Bonaccorso | .... | electrician | |
| Steve Calalang | .... | assistant camera: second unit | |
| Paul Clay | .... | additional gaffer | |
| Frank G. DeMarco | .... | camera operator: additional photography (as Frank DeMarco) | |
| Karsten Gopinath | .... | third grip | |
| Todd S. Klein | .... | key grip | |
| Sean McCloud | .... | still photographer | |
| Jim McConkey | .... | Steadicam operator | |
| Heather McGowan | .... | second assistant camera | |
| Alexandre Naufel | .... | electrician | |
| Rocco Palmieri | .... | additional grip | |
| Linda Phillips | .... | additional electrician | |
| Theo Pingarelli | .... | first assistant camera | |
| Sally Reed | .... | grip: second unit | |
| Sean Sheridan | .... | best boy grip | |
| Val Williamson | .... | gaffer | |
| Nina Zarnett | .... | additional grip | |
Costume and Wardrobe Department | |||
| Christine Gee | .... | wardrobe assistant | |
| Suzanne Pettit | .... | wardrobe assistant | |
Editorial Department | |||
| Loren R. Brauner | .... | apprentice editor | |
| Lisa DeLucia | .... | post-production coordinator | |
| Mark Ginsberg | .... | color timer | |
| Pamela Martin | .... | assistant editor | |
| Sasha Rau | .... | post-production assistant | |
| Ann Ruark | .... | post-production coordinator | |
| Arnold Shuster | .... | negative cutter (as Arnie Shuster) | |
| Jessica Weiner | .... | post-production assistant | |
| Bob Wolfrum | .... | negative cutter (as Bobby Wolfrum) | |
Other crew | |||
| Laurel Bridges | .... | assistant production coordinator | |
| Steve Chang | .... | title designer | |
| Debbie Eaton | .... | production assistant | |
| Page Feldman | .... | assistant: Ted Hope | |
| Kelley Forsyth | .... | location manager | |
| Jeanne Gilliland | .... | production assistant: second unit | |
| Jane Graham | .... | production assistant | |
| Joseph Mennella | .... | location scout | |
| Kevin Peck | .... | key production assistant | |
| J. Max Ruschak | .... | auditor | |
| Jean Summer | .... | production assistant | |
| Adrienne Tien | .... | script supervisor | |
| Sarah Vogel | .... | production coordinator | |
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| Xi yan | Yin shi nan nu | Mississippi Masala | Saving Face | David & Layla |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Taiwan section | Add this title to MyMovies |
I have to disagree with many of those who gave this film anything above a 5. Granted it was directed by Ang Lee in 1992, or long before The Hulk or Broke Back Mountain. But still, it looks too much like an earnest but not-too-skillful novice effort.
The story does center around the old man newly arrived to Westchester after more than 70 years in China, taken in by his loving son and his almost stereotypical Anglo housewife (Martha), complete with her curly hair, her vegetarianism, her obsessive concern about her weight, her poor parenting skills, her disinterest in sex, her... Lots of clichés on the feminine side, although to his credit, Lee does well with his main character-- except for making him a mysterious Kung Fu master (in this case Tai Chi).
The opening scene seems interminable, as we watch Martha struggle at her (now seemingly primitive) computer, while Grand Father slowly does his Tai Chi exercises in an adjacent room. He knows no English, she knows no Chinese, so there is no dialog. We wonder, what's happening, where is this film going? Finally, slowly, the story unfolds, and we learn details about their respective lives.
But this film may also set some sort of record for Most Visible Boom Mic. I swear it makes more on screen appearances than the couple's son (which is fortunate, because this kid is one of the worst child actors in memory).
Yes, this is a story of generations, cultures, ambitions, etc.-- but there are many, better examples. Some scenes show promise, but as a whole, this film does not warrant more than a 5.