| Sihung Lung | ... | Mr. Chu | |
| Lai Wang | ... | Mrs. Chen | |
| Bo Z. Wang | ... | Alex Chu (as Ye-tong Wang) | |
| Deb Snyder | ... | Martha Chu | |
| Fanny De Luz | ... | Linda | |
| Haan Lee | ... | Jeremy Chu | |
| Hung-Chang Wang | ... | Boss Huang | |
| Jeanne Kuo Chang | ... | New Cooking Teacher | |
| James Lou | ... | Mr. Chao | |
| rest of cast listed alphabetically: | |||
| Lester Chit-Man Chan | ... | Chef Tsien | |
| Victor Chan | ... | Gangster | |
| Bin Chao | ... | Waiter Wong | |
| Audrey Haight | ... | Anchorwoman | |
| Jackson King | ... | Gangster | |
| Eugene Lau | ... | Gangster | |
| Bar-Chya Lee | ... | Waiter Lee | |
| Peter Lee | ... | Waiter Wu | |
| Richard Light | ... | Gangster | |
| Bill Lin | ... | Gangster | |
| Emily Yi-Ming Liu | ... | Chen Yi-qian | |
| Pauline Liu | ... | News Reporter | |
| Pamela Yang | ... | Yi Yi | |
| Liang Yin | ... | Chef Chang | |
Directed by | |||
| Ang Lee | |||
Writing credits(in alphabetical order) | ||
| Ang Lee | ||
| James Schamus | ||
Produced by | |||
| Sui Je Cheng | .... | supervising producer | |
| Ted Hope | .... | executive producer | |
| Li-Kong Hsu | .... | executive producer | |
| Feng-Chyt Jiang | .... | producer | |
| Ang Lee | .... | executive producer | |
| James Schamus | .... | executive producer | |
Original Music by | |||
| Xiao-Song Qu | |||
Cinematography by | |||
| Lin Jong | |||
Film Editing by | |||
| Ang Lee | |||
| Tim Squyres | |||
Casting by | |||
| Harriet Bass | |||
| Jeff Berman | |||
| Wendy Ettinger | |||
Production Design by | |||
| Scott Bradley | |||
Art Direction by | |||
| Michael Shaw | |||
Costume Design by | |||
| Elizabeth Jenyon | |||
Makeup Department | |||
| Lauren Matonis | .... | makeup artist | |
| Josh Turi | .... | special makeup effects artist | |
Production Management | |||
| Sam Sarowitz | .... | production manager | |
Art Department | |||
| Annie Ballard | .... | set dresser | |
| Tom Jarmusch | .... | property master | |
Sound Department | |||
| Tom Paul | .... | sound mixer | |
| Jeff Pullman | .... | sound recordist | |
| Reilly Steele | .... | sound re-recording mixer | |
| Zhi-cheng Zhu | .... | sound mixer | |
Special Effects by | |||
| Arthur M. Jolly | .... | special effects fabricator (as Arthur Jolly) | |
| Pericles Lewnes | .... | special effects coordinator | |
Stunts | |||
| Douglas Crosby | .... | stunt rigger (as Doug Crosby) | |
| Joe Fitos | .... | stunt rigger | |
| Arthur M. Jolly | .... | stunt rigging | |
| Ray Micuta | .... | stunt rigger | |
| Phil Neilson | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Niels Alpert | .... | best boy electric | |
| John Billeci | .... | best boy electric | |
| Lisa Bonaccorso | .... | electrician | |
| Steve Calalang | .... | assistant camera: second unit | |
| Paul Clay | .... | additional gaffer | |
| Frank G. DeMarco | .... | camera operator: additional photography (as Frank DeMarco) | |
| Karsten Gopinath | .... | third grip | |
| Todd S. Klein | .... | key grip | |
| Sean McCloud | .... | still photographer | |
| Jim McConkey | .... | Steadicam operator | |
| Heather McGowan | .... | second assistant camera | |
| Alexandre Naufel | .... | electrician | |
| Rocco Palmieri | .... | additional grip | |
| Linda Phillips | .... | additional electrician | |
| Theo Pingarelli | .... | first assistant camera | |
| Sally Reed | .... | grip: second unit | |
| Sean Sheridan | .... | best boy grip | |
| Val Williamson | .... | gaffer | |
| Nina Zarnett | .... | additional grip | |
Costume and Wardrobe Department | |||
| Christine Gee | .... | wardrobe assistant | |
| Suzanne Pettit | .... | wardrobe assistant | |
Editorial Department | |||
| Loren R. Brauner | .... | apprentice editor | |
| Lisa DeLucia | .... | post-production coordinator | |
| Mark Ginsberg | .... | color timer | |
| Pamela Martin | .... | assistant editor | |
| Sasha Rau | .... | post-production assistant | |
| Ann Ruark | .... | post-production coordinator | |
| Arnold Shuster | .... | negative cutter (as Arnie Shuster) | |
| Jessica Weiner | .... | post-production assistant | |
| Bob Wolfrum | .... | negative cutter (as Bobby Wolfrum) | |
Other crew | |||
| Laurel Bridges | .... | assistant production coordinator | |
| Steve Chang | .... | title designer | |
| Debbie Eaton | .... | production assistant | |
| Page Feldman | .... | assistant: Ted Hope | |
| Kelley Forsyth | .... | location manager | |
| Jeanne Gilliland | .... | production assistant: second unit | |
| Jane Graham | .... | production assistant | |
| Joseph Mennella | .... | location scout | |
| Kevin Peck | .... | key production assistant | |
| J. Max Ruschak | .... | auditor | |
| Jean Summer | .... | production assistant | |
| Adrienne Tien | .... | script supervisor | |
| Sarah Vogel | .... | production coordinator | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Taiwan section |
Rarely have I seen the highest level of martial arts, internal kung-fu, portrayed in it's proper perspective. It is hard these days for people to realize that 'soft' style kung-fu will enable an old man to defeat many young men without much effort. With all the silly 'wire-fu' out there in the movies most people have no idea that there is a subtle way to defeat strength through 'chi energy' power lines.
There is no question that Ang Lee has the ability to put kung-fu back at the top of the martial art world. Through his well thought out story line and his perfect blend of drama and comedy he has taken a deep look at the struggle that exists today for thousands of people as they care for their elderly parents. This is truly a movie that can bond many generations.