When a military general inherits a toy making company and begins making war toys, his employees band together to stop him before he ruins the name of Zevo Toys forever.
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An attractive and popular teenager who is mean spirited toward others, finds herself in the body of an older man, and must find a way to get back to her original body.
Director:
Tom Brady
Stars:
Rob Schneider,
Anna Faris,
Matthew Lawrence
A medieval nobleman and his squire are accidentally transported to contemporary times by a senile sorcerer. He enlists the aid of his descendent to try to find a way to return home, all the... See full summary »
Director:
Jean-Marie Poiré
Stars:
Christian Clavier,
Jean Reno,
Valérie Lemercier
When they find a frozen caveman in their backyard, two high school outcasts thaw him out and introduce him to modern day life while he in turn, gets them to actually enjoy life.
Because of an unusual aging disorder that has aged him four times faster than a normal human being, a boy enters the fifth grade for the first time with the appearance of a 40 year old man.
An eccentric toymaker's last wish is that his brother takes over the running of the business. The brother is a military General, and is out of touch with toymaking, and out of touch with reality too. The business should really have been given to Leslie, who was much more like his toymaking father. When the General starts making weapons instead of toys, Leslie decides to take action. Written by
Rob Hartill
As of May, 2001 the Zevo Tombstone (the stone elephant) resides at Planet Hollywood in Niagara Falls, Ontario, Canada. See more »
Goofs
When General Zevo is in the arcade playing "Tank Gunner" you notice that his score bounces. It's at -2400 at the point where he only shoots UN Trucks (each truck is -1000 points) and in the next seen he's at 1600 points, down to 400, then up to 3600, then down to -6000, then -3400, and finally -7000. See more »
It's hard to think of a movie that divides its audience as deeply as "Toys" does. Few people will say this movie is "fair." Instead, people often call it the best movie ever made or the worst... and they mean it!
Even its severest critics grudgingly admit that it's visually stunning and has perhaps the best soundtrack of the decade ("Happy Worker" is a classic, and "At the Closing of the Year" is, in my opinion, the best Christmas song written in the past 30 years). It's clearly Oscar-worthy in the categories of music and set design.
Most people who've seen it agree that Joan Cusack's quirky characterization is wonderful and that the vignettes provided Robin Williams with a springboard for some of the best ad libs of his career. And the story, a whimsical fable of innocence versus corruption, is as unlikely to give offense as any you can name. So, you'd expect the movie's critics to say "I didn't care for it," instead of "Everyone associated with this movie should be ashamed!"
When I like something and others don't, I hesitate to say they don't "get it," but in the case of "Toys," it really is true. It's no coincidence that many visual references to the work of Rene Magritte keep popping up. "Toys" is a surrealist movie, and like any work of surrealism, it has a simple veneer over a more sophisticated message, one that defies explanation and works on the level of a dream. This movie is more "Mulholland Drive" than "Willie Wonka."
Whether you will like this movie depends entirely on how your mind works. Poets will probably love it. Engineers will probably hate it.
85 of 116 people found this review helpful.
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It's hard to think of a movie that divides its audience as deeply as "Toys" does. Few people will say this movie is "fair." Instead, people often call it the best movie ever made or the worst... and they mean it!
Even its severest critics grudgingly admit that it's visually stunning and has perhaps the best soundtrack of the decade ("Happy Worker" is a classic, and "At the Closing of the Year" is, in my opinion, the best Christmas song written in the past 30 years). It's clearly Oscar-worthy in the categories of music and set design.
Most people who've seen it agree that Joan Cusack's quirky characterization is wonderful and that the vignettes provided Robin Williams with a springboard for some of the best ad libs of his career. And the story, a whimsical fable of innocence versus corruption, is as unlikely to give offense as any you can name. So, you'd expect the movie's critics to say "I didn't care for it," instead of "Everyone associated with this movie should be ashamed!"
When I like something and others don't, I hesitate to say they don't "get it," but in the case of "Toys," it really is true. It's no coincidence that many visual references to the work of Rene Magritte keep popping up. "Toys" is a surrealist movie, and like any work of surrealism, it has a simple veneer over a more sophisticated message, one that defies explanation and works on the level of a dream. This movie is more "Mulholland Drive" than "Willie Wonka."
Whether you will like this movie depends entirely on how your mind works. Poets will probably love it. Engineers will probably hate it.