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Tokyo Decadence More at IMDbPro »Topâzu (original title)

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14 reviews in total

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26 out of 28 people found the following review useful:
Beyond Surfaces, 17 November 1999

Author: Bishonen from Los Angeles, CA

A shimmering brightness infuses "Tokyo Decadence". The neon-blasted streets, the eerie, artificial glow of offices and hotel rooms, even the translucent glow of daylight insinuates under the skin of the film.

The antiheroine of the film passes through a sexual Seven-Circles-of-Hell in Tokyo, used and battered by clients, gangsters and even friends who ply her with drugs and subversive sex. None of the sexuality is erotic, but it's also not presented as obscene or tragic. The spare, minimal approach to the dialogue heightens the tension and sense of dislocation. The film presents sex as a matter-of-fact commodity, flesh as spiritual bargaining tool in return for a temporary escape from alienation and fear.

It's an intriguing film, difficult to watch but rich in visual beauty and its subtextual dimensions are quite rewarding. The film fetishizes everything to the point of abstraction. The city of Tokyo becomes a gleaming morass of lights, skyscrapers and soullessness.

A brutal and delicate work of art.

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13 out of 17 people found the following review useful:
Erotic and intellectually interesting, 11 March 2005

Author: Jeliza Rose from Netherlands

Very erotic and sick at the same time. This movie leads you down the dark allies of human sexuality. But it touches more than the loins. This is mostly because of the innocence of the Ai, the main character. Her quest for true love and happiness stands in a deep contrast with the dark nighttime of Tokyo, ridden with perverse sex and cocaine.

This movie is a must for people interested in culture, sexuality and gender roles. It gives perfect examples of how power play somehow gets us excited, but mainly rests upon images of gender and sex we have invented inside our culture. It's a little Foucault, it's a little de Sade, it's just very interesting.

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11 out of 17 people found the following review useful:
Coma society, 17 March 2002
Author: DJ Inferno

In view of this film our society seems to be frozen, cold as ice! The glittering world is only a facade above all soulish depths and perversions that lie beneath! "Tokyo Decadence" tells the story about a sensitive young girl who decides to serve the desires of the decadent Japanese high society! Day in, day out she has to do with cocaine sniffing pervs and guys with the sickest sexual phantasies. Slowly, but surely she becomes the ball of their obsessions, but at the end she breaks from the unbearable pressure... Like so many other Asians films from the 1990s "Tokyo Decadence" combines its gross story with elegant pictures. This flick also contains some real explicit scenes of S&M or sexual role play, so people with a too conservative mind will certainly be offended! However, those who can bear some explicit representations of erotic beyond normal will make another fine experience of 1990´s great Asian cinema!

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5 out of 6 people found the following review useful:
subtlety is the power of this film!, 12 July 2001
Author: jrrunnin from phoenix, az

Most films dealing with prostitution that I've seen have been very straight forward. In other words, the characters have been very loud, and to the point about what's going on in their heads. However, the lead character in Tokyo Decadence comes out differently than you might expect . In most films that portray prostitution as a hard and unsettling life, ( Whore, Leaving Las Vegas...) the main character is trying real hard to act like they enjoy what they're doing. But in Tokyo Decadence, it's quite the contrary, the lead character hardly says a word through the whole film. But you still learn so much from her expressions and way of dealing with the many different wack-job clients she has. (These include dominatrix, sadists, and necrophiles to name a few.) This is the first film like this where I've actually felt sympathy for the main character. She obviously has big dreams, presses forward to improve her situation in life constantly, only to be brought down by the degrating clientel she encounters every night. Overall, the acting is superb! As far as story is concerned, there is a serious lack of information given toward the middle of the movie. She keeps carrying around a picture of her with this guy, even going as far as buying expensive jewelry as good luck charms to get him back, ....but we don't know who he is, how she knows him, ..nothing. But despite, minor holes in the plot, the film never loses sight of the point it's trying to make. And as I said, subtlety is what makes this film powerful. It's what the characters aren't saying and showing that brings you closer to the film. One last note, the film DOES live up to it's NC-17 rating. But then again, most asian films do.

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6 out of 8 people found the following review useful:
A harrowing odyssey into the darker corners of the human soul, 16 December 2006

Author: Labia_Mirage from Deutschland

*** This review may contain spoilers ***

The story of Ai, a beautiful and delicate young woman who is looking for something real, or someone to rescue her from a world of dark sexuality and drugs. At the age of 22, Ai comes to the conclusion that she is completely devoid of any real talent or skill. Even though she is a quiet and shy person, she finds herself working in the sometimes brutal Tokyo sex industry, as an 'escort' for rich and decadent clients. She rarely speaks, but her facial expressions show the terror and revulsion, and lack of understanding of the bizarre things that are asked of her. 'Tokyo Decadence' is filmed in a lush and colorful style, utilizing garish colors and costumes to emphasize the bizarre and sordid world that this girl is living in. Somehow, despite being exposed to every conceivable perversion, Ai retains a kind of childlike innocence that is ultimately heartbreaking to behold. For she does eventually break under the strain, and it is what makes this film so much more than erotica. I watched this film, (the 112 minute version) recently, after not seeing it for many years. I did not remember that drug use played such a big part in the story. Cocaine, crack, heroin, Ecstasy. Many people here seem to be lost somehow, escorts and clients as well, in the steel-like metropolis of Tokyo. Ai's world is so artificial, and very intimidating; everyone around her seems to have so much money and power, and such an understanding and acceptance of any sexual practice. The film is dark and explicit from the first frame, but takes a decidedly darker turn with the introduction of a jaded and fascinating young dominatrix named 'Mistress Saki'. Following a bizarre session with a man into being humiliated, Saki invites Ai to her lavish apartment, where she repeatedly shoots heroin and shares freebase cocaine with the bewildered Ai. At first this woman seems happy and comfortable with her wealth and profession, but when you see her dissolve into a maniacal junkie, (she shoots up 3 or 4 times in the space of an evening), it is quite tragic. She speaks of finding another world, and a better life. She advises her protégé to seek out the man that she still loves, who stopped seeing her without warning. Ai does this, but makes the mortal mistake of taking a hit of Ecstasy before going to him. By the time she gets to his house, she has dissolved into a stumbling wreck, and her hopes of reuniting with her man are lost forever. 'Tokyo Decadence' is a film of great beauty and power. The sex is explicit but is never sexually stimulating, only because every encounter is mingled with so much pain. If you can relate to this lost girl, than the film will have an impact stronger than you might expect.

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5 out of 8 people found the following review useful:
powerful start meanders to bland finish, 16 September 2008

Author: CountZero313 from Japan

Murakakmi's Tokyo Decadence starts out powerfully with an unflinching look at the shifts put in as a 'Delivery Health' (as these women get called in 21s century Japan) by hooker-with-a-heart-of-gold, Miho Nikaido. The crisp colours, seductive light and slowly dollying camera give a high productive sheen to the mesmerising scenes of Nikaido being humiliated by a Yakuza couple, then assisting a dominatrix in the wished-for degradation of one of her regular johns.

Murakami seems to be highlighting the amorality of Bubble-rich Japan, his characters speechifying against the 'real' whores in the corporate and government fields. The sexual and comedy elements are well-balanced, the highlight being the lost dildo in the toilet scene. Nikaido shows an impressive range, both vulnerable in and enraptured by her line of work. She also enlivens a long walk with a wild-eyed look she achieves in the film's final third.

However, her performance cannot rescue the meandering, insipid final episode when Nikaido goes in search of her true love. The introduction of a 'courage' pill is a clumsy plot device. The final section lacks clarity, and even continuity seems to be a minor concern. It is as if Murakami, having established his world so finely in the first half, is now at a loss regarding what he wants to say about it. A series of episodic and uninspiring tableaux plays out, the slightly surreal elements being the only thing that stops it from descending into an old-fashioned morality tale.

Tokyo Decadence is a film of two halves, with the director only trying in the first.

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7 out of 12 people found the following review useful:
happy girl's unhappy adventure, 3 March 1999

Author: BookWorm-10 from City by the Bay, California

A call girl who works for the S&M service went through 6 sessions of bizarre sexual adventure. She was abused physically and mentally by the clients. I think this movie is great because it gives you a view of Japanese sexual culture in the 90's. Overworked men seek excitment in perverted sexual endeavors. Women's status in a society can be seen through the degrading sexual practice. A great film for adults. However, if you are looking for sex go watch "In the realm of senses".

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5 out of 9 people found the following review useful:
Not that good....spoilers ahead, 18 June 2003
Author: mellatron

*** This review may contain spoilers ***

I bought and viewed this film after reading reviews on the net and I must have got the cut version (117 mins ?)The fist half of the film sets up the scene quite well then the second half just loses the plot big time as the heroine goes bats for no apparent reason ! When she is the roll - playing call girl She agrees to everything that happens and then just whimpers all the way through leading us to think that her occupation has driven her to the edge to the extent that she meets basket case opera singers in the park for no reason ! This could have been good. The S & M scenes are realistic (not too much)but the threadbare storyline ruins it All in all vaguely unsatisfiying

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Decay and perversion, 3 April 2011

Author: Atavisten from Tellus

Tokyo Decadence follows a prostitute on her way through the six gates of perversion forced upon her as her work demands. One of the imperatives of the trade is to never leave the client, something which makes her stay put in some pretty strange situations.

Miho Nikaido does a good job in her role and shows a great range from subservient prostitute to desperate woman in search for love.

The funniest part is when excellent whiskey-folk-punk musician Kan Mikami plays the bourgeois necrophiliac in search for a classic rape case where a girl got murdered.

This is most likely Murakami Ryu's best work and is a excellent commentary to Japanese bubble-economy moral decay.

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1 out of 2 people found the following review useful:
An unflinching, unvarnished view of the sex trade, 12 August 2003
Author: t-h-fields from Washington, DC

*** This review may contain spoilers ***

I've never been to Tokyo, but this movie makes me feel as if I had. The city comes across as very modern, wealthy, but beneath it all soulless and materialistic. Prostitution is just a fact of life here.

Ai, the main character, is a nice person who deserves something better than being a call girl. But for now, this is the best she can do.

Her employer caters to the worst type of clients--the ones who get into S&M, bondage, domination, and other things that would never appear in a mainstream movie. This film is NOT for everyone.

WARNING: POSSIBLE SPOILER!

The best line in the entire movie is from one of the other hookers. She says that the Japanese are a very wealthy people, but not a proud one. This lack of self-respect and self-esteem explains the bizarre, often degrading behavior of their clients.

Those who enjoy this movie should also check out Lizzie Borden's movie Working Girls. It's another matter-of-fact view of the sex trade.

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