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Tokyo Decadence (1992)
"Topâzu" (original title)

NC-17  |   |  Drama  |  30 April 1993 (USA)
6.1
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Ratings: 6.1/10 from 2,014 users  
Reviews: 15 user | 29 critic

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of ... See full summary »

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Title: Tokyo Decadence (1992)

Tokyo Decadence (1992) on IMDb 6.1/10

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Cast

Complete credited cast:
Miho Nikaido ...
Ai
Sayoko Amano ...
Saki
Tenmei Kano ...
Ishioka (Mr. Satoh)
Masahiko Shimada ...
Suzuki
Yayoi Kusama ...
Fortuneteller
Chie Sema ...
Opera Woman
Rest of cast listed alphabetically:
Magayasu Ishihara
Hiroshi Mikami
Nami Nosaki
Edit

Storyline

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

Erotic sex or dangerous fantasy?

Genres:

Drama

Motion Picture Rating (MPAA)

Rated NC-17 for strong, explicit, sado-masochistic sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

30 April 1993 (USA)  »

Also Known As:

Tokyo Decadence  »

Filming Locations:

 »

Box Office

Gross:

$277,813 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (heavily cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Ai: I've discovered that I have no talent - none whatsoever.
See more »

Connections

Referenced in Fallout 2: A Post-Nuclear Role-Playing Game (1998) See more »

Soundtracks

Llegué Llegué / Guararey de Pastorita
(uncredited)
Performed by Los Van Van
See more »

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User Reviews

 
Decay and perversion
3 April 2011 | by (Tellus) – See all my reviews

Tokyo Decadence follows a prostitute on her way through the six gates of perversion forced upon her as her work demands. One of the imperatives of the trade is to never leave the client, something which makes her stay put in some pretty strange situations.

Miho Nikaido does a good job in her role and shows a great range from subservient prostitute to desperate woman in search for love.

The funniest part is when excellent whiskey-folk-punk musician Kan Mikami plays the bourgeois necrophiliac in search for a classic rape case where a girl got murdered.

This is most likely Murakami Ryu's best work and is a excellent commentary to Japanese bubble-economy moral decay.


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